When his mother dies, scandal-ridden ex-Olympian John Wright returns to a hometown that has not forgiven him.

A terminally ill old lady convinces a self-destructive addict to help kill her, in exchange for clean urine.

Though a childhood bout with polio left him dependent on an iron lung, Mark O’Brien (John Hawkes) maintains a career as a journalist and poet. A writing assignment dealing with sex and the disabled piques Mark’s curiosity, and he decides to investigate the possibility of experiencing sex himself. When his overtures toward a caregiver scare her away, he books an appointment with sex surrogate Cheryl Green (Helen Hunt) to lose his virginity.

A new girl in a quiet town, Tess tries to manage her psychosis while adjusting to her new life with her mom. After stumbling upon the shrine of Lucy, a hit and run victim, Tess finds herself overwhelmed by hallucinations of the dead girl and starts to question her sanity again. When the spirit possesses Tess’s mind and soul, mother and daughter are at a loss for where to turn next for salvation: religion or medicine? Both institutions have failed them to date but faith leads them to the house of Sarah, Lucy’s mother, who has been despondent since the accident. All together with time working against them, Sarah is desperate to believe that Lucy is still alive in Tess but neither parent wants to give up on their daughter. Now that she understands what is happening to her, ultimately Tess must decide whether she wants to keep fighting or succumb to her affliction.

Gracie knows hangovers. She’s intimately acquainted with them. But this one? Why did she wake up, half-dressed, on a Florida beach, 1100 miles from home? And this time her father – who also knows about the tragedy of addiction from his struggles with Gracie’s mom – isn’t going to clean things up.