Debbie Harry
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Ample teen Tracy Turnblad wants nothing more than to be on the hip local TV dance program, “The Corny Collins Show” — and when her dream comes true, her lively moves and bubbly personality meet with unexpected popularity. But after witnessing firsthand the terrible state of race relations in 1960s Baltimore, Turnblad becomes an outspoken advocate for desegregation.
The first segment features an animated mummy stalking selected student victims; the second tale tells the story of a “cat from hell” who cannot be killed and leaves a trail of victims behind it; the third story is about a man who witnesses a bizarre killing and promises never to tell what he saw and the “in-between” bit is the story of a woman preparing to cook her newspaper boy for supper.
Cultural critic David Kepesh finds his life — which he indicates is a state of “emancipated manhood” — thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station.
New York magazine’s October 2005 issue sent shockwaves through the literary world when it unmasked “it boy” wunderkind JT LeRoy, whose tough prose about his sordid childhood had captivated icons and luminaries internationally. It turned out LeRoy didn’t actually exist. He was dreamed up by 40-year-old San Francisco punk rocker and phone sex operator, Laura Albert.
One day in the life of a hit man, Ronnie, who spends it trying to save the life of fellow hit man, August, who he had brought into the business three years ago. August has become a real problem for some of the bosses around town, and Ronnie will soon find out just what his Frankenstein’s monster will cost him.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Documentary about Paul Williams
Nile Rodgers has sold over 100 million records. As the co-founder, songwriter, producer and guitarist of Chic he helped define the sound of the ’70s, as disco took the world by storm. Nile and musical partner Bernard Edwards captured the essence of New York’s iconic Studio 54 creating hit after hit for bands like Chic & Sister Sledge. But the music that had made Chic would also break them, thanks to the ‘Disco Sucks’ backlash. What could have been the end for Nile Rodgers would actually be a new beginning as a producer of some of the biggest hits of the 80s for the likes of Diana Ross, David Bowie, Madonna and Duran Duran. In this profile documentary, the ever-charismatic Rodgers contributes an engaging and often frank interview to tell the tale of how, born to Beatnik, heroin-addict parents in New York, he picked up a guitar as a teenager and embarked on a journey to learn his craft as a musician, before becoming one of disco’s most successful artists.
A documentary that explores the challenges that a life in music can bring.