In the not-so distant future, researchers at a deep-sea laboratory have finally invented a time machine. Head researcher Woo-seok is promised funding from a mega-corporation if he completes a test flight. He and Young-eun carry out the mission and travel to 11 A.M. the next day, only to find the base on the verge of collapse. All the researchers are gone and someone is out to kill them.

An affluent neighborhood family is visited by a zombie.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.

This is the story of Ryu, a deaf man, and his sister, who requires a kidney transplant. Ryu’s boss, Park, has just laid him off, and in order to afford the transplant, Ryu and his girlfriend develop a plan to kidnap Park’s daughter. Things go horribly wrong, and the situation spirals rapidly into a cycle of violence and revenge.

Sunhi from the Department of Film stops by the school one day to get a letter of recommendation from Professor Choi to leave to the US. She expects him to write her a nice one since he took favor to her. She runs into two men from the past she’s never met in a long time; Moon-soo, a recently turned movie director and senior director Jae-hak.

A man becomes a fugitive from the police after he kills one of the men who raped and murdered his daughter.

On the day the 15-year statute of limitations expired on a high profile serial murder case that claimed the lives of 10 women, a family member of the victim throws himself off the building in front of Choi Hyeong-goo, the detective in charge of the case. Two years later, a man called Lee Doo-seok publishes a book titled “I am the Murderer” claiming responsibility for the murders that took place 17 years ago. His book becomes a bestseller because of the author’s charming looks and his vivid depiction of the crime. The detective and the self-proclaimed murderer meet face to face on a television debate show. Believing that Lee is nothing but a con artist, Detective Choi renews his search for the ultimate truth. Then another man appears suddenly, claiming he is the real killer.

Mr. Kim is jobless, lost in debt and has been dumped by his girlfriend. He decides to end it all by jumping into the Han River – only to find himself washed up on a small, mid-river island. He soon abandons thoughts of suicide or rescue and begins a new life as a castaway. His antics catch the attention of a young woman whose apartment overlooks the river. Her discovery changes both their lives.

In 1777, one year since he had taken reign, King Jeong-jo bears a perilous palace life with his dedicated court servant, Gap-soo, amidst opposition and threats from those around with political ambitions. Meanwhile, Eul-soo, a member of a secret assassin group, receives orders to kill Jeong-jo. Gap-soo, who had also been in the same secret assassin ring as Eul-soo, later confesses to Jeong-jo about his dark past and his motive for coming into the palace. To Gap-soo’s surprise, Jeong-jo asks Gap-soo when he had given up being an assassin, then orders him to just leave the palace. However, Gap-soo finds out that there is another assassin besides him and frantically returns to the court, only to discover Eul-soo in combat with Jeong-jo. (c)

An actress wanders around a seaside town, pondering her relationship with a married man.

The Plan Man is about a man who lives everything according to plan until he meets a woman who wasn’t a part of it.

Based on the long running play by Jang Jin, the story is set in Korea during the Korean War in 1950. Soldiers from both the North and South, as well as an American pilot, find themselves in a secluded and naively idealistic village, its residents unaware of the outside world, including the war.