Joel Spira
Eleven people, isolated from the outside world, communicate via screens. A son wants to hold the hand of his suffering mother. Love grows. A mother has abandoned her family. A therapist finds himself at the edge of ruin. A daughter connects with her parents.
An American filmmaking couple retreat to the island for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island’s wild landscape.
Set in the year 1720, the story is about what happens to 29-year-old Tordenskiold when the Great Northern War ends and he doesn’t know what to do with the rest of his life. His trusted valet persuades him to go on a European ‘road trip’ to search for a bride.
JW is serving hard time in prison and struggling to get back on an honest path. There are glimmers of hope in his life – some venture capitalists are interested in a new piece of trading software he’s developed, and while behind bars he’s made peace with an old enemy. This all proves to be an illusion. On leave from prison, and back in contact with his former gang, JW learns that once you’ve walked in the shoes of a criminal there just may be no going back.
The two tradesmen Ib and Edward are tired of their lifeless marriages and dream of living the good life from the stash of money they’ve earned moonlighting for years. After a huge fight with their wives the two men get drunk and hire a Russian contract killer to do a hit on their spouses. But they have badly underestimated their wives, and this becomes the start of an absurd journey where Ib and Edward to their own horror end at the top of a kill list.