An old poet staying for free in a riverside hotel summons his two estranged sons. This is because he feels, for no apparent reason, like he is going to die. After being betrayed by the man she was living with, a young woman gets a room at the hotel. Seeking support, she summons a friend. The poet spends a day with his sons and tries to wrap up the loose ends in his life. But it’s not so easy to do that in one day. But then he sees the young woman and her friend, after a sudden, unbelievably heavy snowfall.

Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.

Abandoned by his mother shortly after immigrating to America, Gon is raised by the mafia and grows up to become a cold-blooded hitman. Though usually flawless in taking out his targets, Gon makes a terrible mistake of killing an innocent young girl. Swamped by feelings of regret, guilt and shame, Gon no longer wants to be a hitman, but his boss gives him one last mission. So Gon finds himself in Korea, the land of the mother that abandoned him, on the trail of his last target. But in bitter irony, that target is Mo-gyeong, the mother of the dead child.

1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.

An actress wanders around a seaside town, pondering her relationship with a married man.

On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee’s possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire’s power at work.

The probability of a couple that had broken up getting back together and having a successful relationship is just 3%. Dong-hee and Young, who had broken up over a minor tiff, later realize their love for each other and end up getting back together. But will they be able to fit into the 3% bracket?

In a small café Kim Minhee plays a guest, who prefers to observe and not interact with the other guests herself…