The anthology horror series follows 25-year-old Atticus Black, who joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America to find his missing father. They must survive and overcome both the racist terrors of white America and the malevolent spirits that could be ripped from a Lovecraft paperback.
Lilly, orphaned as a child, experiences her parents homeland of England, escaping civil war. She becomes the heart of a disenfranchised community in London, where she attempts to reunite people with their families. But her friend Amira discovers Lilly’s mission isn’t purely altruistic and a passionate lost love affair is revealed between Lilly and Aziz, an idealistic doctor.
Citadel tells the story of widower and single father Tommy Cowley, a man inflicted with chronic agoraphobia since the day his wife was attacked. He was unable to protect her. He lives in Edenstown, the council estate from hell. Here he finds himself terrorized by a gang of syringe wielding feral children, who are intent on taking his baby daughter. With the help of a kind Nurse and a renegade Priest, Tommy learns the nightmarish truth surrounding these hooded children. He also learns that to be free of his fears, he must finally face the demons of his past and enter the one place he fears the most – The abandoned Tower block known as the Citadel
Drama exploring the story of ten-year-old Damilola Taylor, who died on a housing estate in South London in 2000. After leaving Nigeria to embark on a new life in the UK, the young Damilola and his family are full of optimism. Little do they realise that their lives are about to be shattered
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
James is 17 and is pretty sure he is a psychopath. Alyssa, also 17, is the cool and moody new girl at school. The pair make a connection and she persuades him to embark on a darkly comedic road trip in search of her real father.