France
Alex is a divorced father and overstressed executive. His daily routine is work, work, work. Tonight, Alex is in real hurry and due to meet a beautiful young stranger… who contacted him via the internet. But this blind date will flip him into a downward spiral disrupting his life forever, as Alex starts to realize that he has become the victim of a male predator who is evil beyond comparison.
It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.
The Nasty Terrible T-Kid 170: Julius Cavero (2014) Anonymous
Graffiti is one of the most misunderstood sub cultures in history. It is a culture not for the faint of heart. Up until now the story of T-Kid 170 has for the most part been kept within the sub culture of graffiti. This film uses nearly 30 years worth of archived footage and T-Kid’s never before seen home movies, a very rare glimpse into the world of subway graffiti. Follow T-Kid into train yards all over the world and through his trials and tribulations, arrests, addiction, violence, love & triumphs. Follow the story of one man’s rise to becoming a legend and witness the story of someone who came from the bottom to write his name on the top.
On the beaches of Kenya they’re known as “Sugar Mamas” — European women who seek out African boys selling love to earn a living. Teresa, a 50-year-old Austrian and mother of a daughter entering puberty, travels to this vacation paradise. She goes from one Beach Boy to the next, from one disappointment to the next and finally she must recognize: On the beaches of Kenya love is a business.
A man, a monster costume, a scared community, a tragic end.
Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared “a threat to the national security of the state of Israel.”
Victoria Spick, a criminal lawyer who is single, turns up at a wedding and meets three men there: David, the father of her daughters; Vincent, a friend of hers; and Sam, a former drug dealer who she bailed out. The next day, Vincent is accused of attempted murder by his partner.
A car full of irresponsible youths hit a woman on a rainy freeway and think she is trying an insurance scam.
A short film about a long-submerged city and a man obsessed with the passing of time.
Young and full of life, Murielle (Emilie Dequenne, Rosetta) has a promising future ahead of her when she meets and falls head over heels for Mounir (Tahar Rahim, A Prophet). A wedding soon follows, and the happy couple quickly set about preparing to make a family. However, with family come ties, and none come as tight as that between Mounir and his adoptive father (Niels Arestrup, A Prophet, Sarah’s Key). As Murielle continues to bring new life into the family, frictions between Mounir and Doctor Pinget reach boiling point. Helpless to extract her husband and children from the wealthy nest that Doctor Pinget has provided for them, Murielle is drawn into an unhealthy family dynamic. There is only one way out of this nightmare, and for Murielle all sense of reasoning begins to abandon her.
When a wide-eyed 10-year-old girl visits her fathers insect laboratory, she receives an unorthodox education in genetics.
The film follows two brothers over the course of a decade. While they begin as kids in search of thrills in the sprawling slums of Morocco’s Sidi Moumen, we witness their gradual, and ultimately shocking, radicalisation.
Second film in Ulrich Seidl’s Paradise trilogy. A devout Catholic woman practises her religion at home and in the local community, but is unprepared for the reappearance of her estranged husband, who is a Muslim.
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn’t show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something…
A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.
A chronicle of the 1969 bombing at a major national bank in Milan and its aftermath.
During the 1970s a student named Gilles gets entangled in contemporary political turmoils although he would rather just be a creative artist. While torn between his solidarity to his friends and his personal ambitions he falls in love with Christine.
In the middle of the night, Magloire is smoking a cigarette in an abandoned train station when the police shows up for an ID check. He starts running with no luggage, no future until he meets a dying man from whom he inherits a fortune. Magloire is now pursued by a gang. He becomes their hostage, but accomplice too. As he doesn’t anything to lose. Like someone who gets away with everything, someone with no expectations…
Haunted by uncanny similarities between Nazi stage techniques and the showmanship employed by modern entertainers, a filmmaker investigates the dangers of audience manipulation and leader worship.
Romantic comedy from Academy Award winner Susanne Bier (Brothers, In a Better World), about two very different families brought together for a wedding in a beautiful old Italian villa.
A finely tuned, emotionally raw portrait of a woman’s conflicted entry into adulthood, Once Upon a Time Veronica is a thoroughly modern anti–fairy tale. Director Marcelo Gomes shows a rare ability to get under the skin — and cut close to the bone — of his emotionally vulnerable but resilient main character. Anchored by a tour de force performance from the fearless Hermila Guedes, this sensual, psychologically complex character study charts the personal and professional growth of one young woman in Recife.
Paris 2011. Alex is 27. He’s lives off dealing and pays the debts of his brother, Isaac, who after being his support has now become dead weight. When his cousin announces he’s going to open a restaurant in Tel Aviv, Alex imagines he can join him and change his life. Set on emigrating, Alex has to find money, leave his beloved Paris, end his complicated love life, drop his destructive brother and find his way.
Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.
A drama centered on the employees of a Nanjing massage parlor who share a common trait: they are all blind.
Three generations of a French family open up about their sexual experiences and desires after young Romain is caught masturbating in his biology class.
We follow 24 hours in the life of a being moving from life to life like a cold and solitary assassin moving from hit to hit. In each of these interwoven lives, the being possesses an entirely distinct identity: sometimes a man, sometimes a woman, sometimes youthful, sometimes old. By turns murderer, beggar, company chairman, monstrous creature, worker, family man.
French adaption of DH Lawrence’s infamous novel about forbidden passion across the class divide. Winner of the 2007 Cesar Award for Best Film.
This finely acted, delicate and provocative new film by one of France’s most impressive filmmakers—working here with his son, Nathan—depicts the troubled life of an adopted boy who, as a taciturn adult, visits his birth mother and strikes up a relationship fraught with tension and emotion.
Have you ever met someone who made your body heat up, get a little nervous and sweaty, and made your crotch stir a bit? Sexual Tension: Volatile will reignite those lustful feelings as it weaves six scintillating experiences of men in various stages of nudity and many forms of erotic male bonding. A pulsating, sexually-charged thrill ride.
A well known radio talk show host lives as a recluse during the day, until she found her real mother.
I Believe I Can Fly (Flight of the Frenchies) is an amazing journey into the unknown. Two friends test the boundaries of free flight and friendship as they take their passion in a totally new direction. Join Tancrède and Julien on an incredible exploration into the world of free flight. The two friends are pioneers in ‘highlining’ – a vertiginous combination of climbing, slackline and tightrope walking. Using their skills and experience as climbers, the pair push their boundaries beyond the realms of possibility as they embark on a new evolution of their sport.
A teacher discovers in a five year-old child a prodigious gift for poetry. Amazed and inspired by this young boy, she decides to protect his talent in spite of everyone.
Michael has life pretty sweet. His girlfriend adores him, his best mate David is loyal to the end, plus David’s girlfriend doesn’t mind a quick hook-up either. But Michael’s self-regarding lifestyle comes crashing down when he is diagnosed with a terminal illness. Desperate not to let his life just fade away, Michael steals the $200,000 raised for his treatment, and catches a one-way flight to London. He isn’t there for long before his nerve and sense of humour earn him a vicious beating in a back alley. Waking up cold and bloodied, he finds himself being watched over by the ethereal Sylvie; a mysterious French drifter. They fall head over heels in love, and attempt to outrun death itself.
Freddy Angi, separate and homeless, stumbles into strange love affairs, including one with his wife Anna. The two meet now and then as lovers in a hotel room.
A young Arab is caught between cultures as he is sent to a prestigious Jewish boarding school in Israel in the 1980s.
A film by Frederick Wiseman following the ins and outs of 7 ballets by the Paris Opera Ballet.
