Escapes blazes a path through mid-20th-century Hollywood via the experiences of Hampton Fancher – flamenco dancer, actor, and the unlikely producer and screenwriter of the landmark sci-fi classic Blade Runner. Fancher recounts episodes from his life — romantic misadventures with silver-screen stars, wayward acts of chivalry, jealousy, and friendship — matched with a parallel world of film and TV footage wherein Fancher plays cowboys, killers, fops, cads, and the occasional hero. Escapes shows how one man’s personal journey can unexpectedly shape a medium’s future.

Yale University, 1961. Stanley Milgram designs a psychology experiment that still resonates to this day, in which people think they’re delivering painful electric shocks to an affable stranger strapped into a chair in another room. Despite his pleads for mercy, the majority of subjects don’t stop the experiment, administering what they think is a near-fatal electric shock, simply because they’ve been told to do so. With Nazi Adolf Eichmann’s trial airing in living rooms across America, Milgram strikes a nerve in popular culture and the scientific community with his exploration into people’s tendency to comply with authority. Celebrated in some circles, he is also accused of being a deceptive, manipulative monster, but his wife Sasha stands by him through it all.

An alcoholic American couple travel to the UK with their son so he can meet his grandmother but they walk in on their crazed uncle who is in the midst of reviving a centuries-old Druid witch.

War erupts between dirty cops and outlaw bikers as a drug kingpin (Ed Harris) tries to protect his empire.

A service which creates holographic projections of late family members allows an elderly woman to spend time with a younger version of her deceased husband.

Modern day adaptation of Shakespeare’s immortal story about Hamlet’s plight to avenge his father’s murder in New York City.