After Abigail, a single mom of two, becomes pregnant following a one-night stand with Ben, the unlikely pair try to make a go of it.
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This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
Happily unattached, the sexually voracious Leila satisfies her desires with a host of rapidly changing bed partners, unconcerned about the emotional consequences. But that all changes when she meets an artist looking for a deeper commitment.
Brie Traverston is up for partner at her firm if she can successfully coordinate a Christmas wedding reshoot and ignore all the feelings that come with working with the one-that-got-away Eddie Chapman and his possibly new girlfriend Isabella.
Meet best friends Michael, Albert, Stanley and Sefa; the ladies’ man, the good boy, the weird one and the party boy. They’re staring down the barrel of their thirtieth birthdays, but still act as if they’re sixteen; they get drunk, they chase the wrong women and they have a remarkable record of misbehaving and causing chaos at every wedding they attend. But now Michael’s younger brother Sione is getting married, and everything is about to change. Sione is their boy, the kid they used to look after, who grew up while they were still partying. And to ensure his big day isn’t spoiled by his boys and their idiot antics, Sione has issued an ultimatum; the guys all have to bring dates to the wedding. And not just any dates; real girlfriends, someone they’ve made a commitment to. They have one month. So just how hard can it be to get a date for your best boy’s wedding?
Bestselling author Angela Young needs to get away from the media circus surrounding her book, but her boyfriend/manager Brad is too busy making deals to listen. Determined to take a break, Angela pulls a disappearing act and drives off to see the fall foliage.
Andy is a front desk clerk with a little ambition until he finds his muse. Hayley is a beautiful shampoo girl chasing big dreams in NYC. When their worlds collide in a hapless run-in, the starstruck lovers assume false identities and follow the script of life from the same self-improvement book which lead to potentially bigger problems than they could have ever dreamed.
Firefighters Chuck Ford and Larry Valentine are guy’s guys, loyal to the core – which is why, when widower Larry asks Chuck to pose as his gay lover so that he can get domestic partner benefits for his kids, his buddy agrees. However, things get dicey when a bureaucrat comes calling, and the boys are forced to present a picture of domestic bliss.
DJ Taz is barely coping with his recovery from losing everything: fame, love, and success. As he struggles with addiction and depression, a call from an avid listener to his radio show propels his life in a serendipitous direction.