Centered around one couple (Stan and Kelly Stevenson) who seem to be more committed to growing apart rather than growing together. Their friends are caught in the middle of divorce conversations during one of the most joyous seasons of the year. Rather working things out, Kelly’s one wish for Christmas is for Jesus to bless her with a new husband.
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Things couldn’t be going better for Harry and Grace, a young New York City couple in love, until Grace’s mother turns Harry’s world upside down.
Zach and Ben are two nerdy childhood best friends with a dream to go to Comic Con. When Ben is forced to move with his dad to Antarctica, the two make a vow that when Ben comes back they will finish writing their own comic book and get it into the hands of their hero, Marvel creator Stan Lee. Yet, plans change when after five years of total isolation and extreme puberty, Ben returns as the same geek now trapped inside the body of an Abercrombie model. With his new “golden ticket,” Zach uses Ben to do what was once thought impossible – get girls.
At a tiny Parisian café, the adorable yet painfully shy Amélie (Audrey Tautou) accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
Hawaiian-shirt enthusiast Gabriel “Fluffy” Iglesias finds the laughs in racist gift baskets, Prius-driving cops and all-female taco trucks.
Giorgio, an Italian-American appointed to the Ministry of Culture, arrives in Italy with big plans for his election campaign. Giorgio and his assistant Marco hire an Instagram influencer and an ex-prisoner to stage an elaborate scandal involving an affair and a home invasion to win the majority. But nothing goes as planned.
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it’s Purgatory and they’re dead. In the room, two young women, one an actress and the other a psychologist, watch the last few days of their lives on a TV screen. Both are having affairs with married men, each has a long encounter with her lover’s wife, and both these scenes take place in a ladies’ room, one backstage at a play that’s about to preview, the other at an opera house during the first act. The relationships between each pair of younger and older women take surprising turns, and in the room with the TV, a sylph asks probing and challenging questions of the two young women as they watch.
Georgy has resigned herself to being one of life’s accidents. She disapproves somewhat of her father’s butlering James Leamington. She’s tall, plump, sloppy and wistfully envious of what she conceives to be the life led by her beautiful, but icy roommate. Where her roommate, Meredith, is cool and calculating, Georgy gets so involved with the people around her she behaves like an affectionate puppy. Most of all she burns to be a mother. But it is Meredith that is in the hospital having an unwanted child.
Though Goofy always means well, his amiable cluelessness and klutzy pratfalls regularly embarrass his awkward adolescent son, Max. When Max’s lighthearted prank on his high-school principal finally gets his longtime crush, Roxanne, to notice him, he asks her on a date. Max’s trouble at school convinces Goofy that he and the boy need to bond over a cross-country fishing trip like the one he took with his dad when he was Max’s age, which throws a kink in his son’s plans to impress Roxanne.