An ancient dust that controls humans is unleashed, but mysteriously affects Jim Yung who gains superpowers. Jim is taken to an underground base where he’s trained to be an operative to take on an imminent alien threat and learn why aliens have returned to Earth.

After finding a host body in investigative reporter Eddie Brock, the alien symbiote must face a new enemy, Carnage, the alter ego of serial killer Cletus Kasady.

Christine and her husband Barry have bought an old fixer upper in a small town, using her recent inheritance, believing that fixing it up and a fresh start, will help her recover from a near nervous breakdown. Christine has invited her sister Lisa to move in with them unaware that she is having an affair with husband Barry. Barry, a police detective, only stays with Christine for her money and is looking a way to rid himself permanently of her. Lisa flirts with Barry under Christine?s nose delighting in the thrill of the possibility of being discovered. They find a secret room in the basement laundry with a heavy, titanium door with a cross and mystical writings, locked by an intricate mechanism. They joke about it but only as a way of coping with the mounting fear that it hides something horrible.

When legendary hunter Bob Rainsford is shipwrecked on the perilous reefs surrounding a mysterious island, he finds himself the guest of the reclusive and eccentric Count Zaroff. While he is very gracious at first, Zaroff eventually forces Rainsford and two other shipwreck survivors, brother and sister Eve and Martin Towbridge, to participate in a sadistic game of cat and mouse in which they are the prey and he is the hunter.

Given the country’s overcrowded prisons, the U.S. government begins to allow 12-hour periods of time in which all illegal activity is legal. During one of these free-for-alls, a family must protect themselves from a home invasion.

The Galactic Patrol is back – but they’ve lost Deputy Rod Allbright’s body. It’s been stolen by B’KR, the most fiendish villain in the galaxy, which leaves Rod’s mind sharing one body with his annoying cousin Elspeth. Stranded on a mysterious alien planet, our young heroes embark on a mission to find the only being who can stop B’KR once and for all, the legendary time-strider himself; Art Allbright – who also happens to be Rod’s dad. The Galactic Patrol’s high-flying adventures continue in this thrilling second film based on the global best-selling book series from acclaimed author Bruce Coville and Simon and Schuster Children’s Publishing. This rip-roaring sequel draws the crew of the Good Ship Ferkel into a web of alien plots that will test their courage to the utmost — and ultimately bring them face-to-face with one of the galaxy’s most guarded secrets.

A woman must protect her small town from the Jackalope (based on the mythical rabbit-antelope creature of North American folklore) and his army of devilish bunnies as they embark on a murder spree over the Easter weekend.

The Fantastic Four return to the big screen as a new and all powerful enemy threatens the Earth. The seemingly unstoppable ‘Silver Surfer’, but all is not what it seems and there are old and new enemies that pose a greater threat than the intrepid superheroes realize.

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A group of everyday heroes encounter the fight of their lives in the deep mines of Northern Ontario where they unwittingly awaken an ancient giant octopus.

There is a strange event in the sky. Only a young woman, and some of her more alienated friends…notice. But they are voiceless, as it just gets stranger – even as below – on the ground, it gets more, what is ominously called, ‘normal’.

Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns