After participating in a brawl that left his father dead and his rival nearly dead, a young man decides to stay away from violence and leaves his village with hopes of ending the ages-old feud.
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After witnessing a murder in the gritty streets of 1950s Manhattan, newlyweds Suze and Arthur become the dangerous obsession of a greaser gang that awakens a sleeping quandary into the couple’s sexual identity.
As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.
Dennis Hopper is a hard-drinking truck driver who loses control of his truck under the influence and slams it into a busload of screaming children. After serving his five year jail sentence, Hopper finds his daughter, Cebe (Linda Manz), the love of his live, grown into a rebellious punk in a backwater town, having barely been looked after by her junkie mon (Sharron Farrell). Cebe’s hopes of once again becoming a “normal” family painfully proves to be doomed, as she desperately tries to hold everyone together. Hopper’s loose, naturalistic style and sympathetic, yet critical attitude infuses the drama with a painful power that finally erupts in a devastating and thrillling conclusion.
During the trial of a man accused of his father’s murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices. The film is adapted by Reginald Rose from his own 1957 film version (directed by Sidney Lumet) and from the Westinghouse One television production that predated it. George C. Scott won a Golden Globe for his supporting role; righteous juror Jack Lemmon was denied such an honor for Best Actor, but recipient Ving Rhames (for Don King) dedicated his award to Lemmon.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of ‘passive resistance’, endeavouring to win freedom for his people without resorting to bloodshed.
Dangerous Liaisons is the film based on the novel of the same name by Choderlos de Laclos set in 18th century France. Marquise de Merteuil’s asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned in this love triangle drama.
Sin Ruta is a two-way narrative attempting to open up the discussion on illegal migration across two worlds and reflect on social issues in smaller countries. Teo is a gay musician from the southeastern region of Guatemala, who longs to go to America. On his way to Mexico he is brutally attacked after a group of men discover he’s gay and ends up in the hospital of a small town. There he meets Ray, an American doctor, who abandoned his country after accidentally killing one of his patients. The fate of each of the characters is altered after they meet, challenging their beliefs about the ideal country and questioning their decisions for fleeing. While Teo wonders whether things will actually be better for him in the US, Ray finds himself having to flee once again after almost killing another patient.
In an effort to tap into his original talent, a wheelchair-bound author moves to a rural town, where he befriends a single mother and her three kids, who help reignite his passion for writing.
Drawing inspiration from the death-squad murders of several Gypsy families in Hungary in 2008, director Bence Fliegauf’s chilling and unforgettable real-life horror story follows a family whose dreams of emigration and escape are suddenly, horribly destroyed.
Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?
