A portrait of Beyoncé strips away the veneer of stardom to display the extraordinary gifts that have made this 16-time Grammy®-winner, entrepreneur and actress a global phenomenon.
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Leaving Tracks tells the intimate and compelling story of the founder of the Haas Moto Museum, and his immense impact on the lives of the custom builders whose masterpieces elevate the Museum to the pinnacle of its industry.
Svengali tells the story of Dixie, a postman from South Wales, and a music fanatic. All his life he’s dreamed of discovering a great band and then one day, trawling through YouTube, he finds them… ‘The Premature Congratulations’. He hunts them down and offers them his management services. They are young, arrogant, sexy and utterly magnificent. Putting their demo on a cassette tape, Dixie heads out onto the streets of London…
Based on a true story, and set in late 1990 against the backdrop of the first gulf war, An American in Texas is the story of lifelong friends as they reach the cusp of adulthood and must decide between the hollow values of corporate careerism; or the narrow way of individualism and freedom.
The cultural phenomenon continues on the big screen! Immerse yourself in this once-in-a-lifetime concert film experience with a breathtaking, cinematic view of the history-making tour.
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago – and it put the city on the map. “Cocaine Cowboys” is the true story of how Miami became the drug, murder and cash capital of the United States, told by the people who made it all happen.
Suzu is a 17-year-old high-school student living in a rural town with her father. Wounded by the loss of her mother at a young age, Suzu one day discovers the massive online world “U” and dives into this alternate reality as her avatar, Belle. Before long, all of U’s eyes are fixed on Belle, when, suddenly, a mysterious, dragon-like figure appears before her.
Called “The American Bowie,” “The True Fairy of Rock & Roll” and “Hype of the Year,” Jobriath’s reign as the first openly gay rock star was brief and over by 1975. Now, 35 years later, “Jobriath A.D.” spotlights his life, music, groundbreaking influence and the new generations of fans slowly re-discovering him.
Orson Welles’ final film documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.
Sixteen years after his documentary When Louis Met Jimmy, Theroux seeks to understand how he was tricked by a man who became his friend
NUDE explores perceptions of nudity in art by chronicling the creative process of photographer David Bellemere as he’s commissioned by NU Muses founder Steve Shaw to shoot a fine art calendar of nude photographs.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
At the annual Vent Haven Convention in Ft. Mitchell, Kentucky, ventriloquism capital of the world, director Mark Goffman discovers five extraordinary characters straight out of a Christopher Guest mockumentary. But in this delightful, it’s-all-true documentary, the characters are real, and so are the emotional attachments that they have with their “dummies.”