In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to find a place to heal. But someone — or something — from the surrounding woods appears to be stalking her, and what begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears.

Paralyzed at a young age, Jing (Kwai Lun-Mei) is a kind piano teacher who leads a quiet life. One day, she accuses her doctor Zhou (Chang Chen) of molesting her during a typical medical examination. Zhou is promptly arrested, charged and put on trial. The prosecutor of the case is Tim (Aaron Kwok), an idealistic lawyer who joined the law world to punish the guilty. However, as Tim’s investigator Nam (Liu Kai Chi) helps him peel back the pieces, the more complex the case becomes. Soon, Tim begins to question the truth surrounding Jing’s story.

When Danielle’s husband goes missing in action during his deployment, she is left to raise her daughter on her own. Three years later, as she acclimates to life without him, she begins to tell her daughter bedtime stories of her father.

Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition–a fight to the death–will take place between the five best shinobi from each village. Gennosuke and Oboro’s love is made even more impossible when they each got picked as the leader of the five to represent their respective villages.

Young Cedric (Ceddie) Errol and his widowed mother (known only as “Dearest”) live in genteel poverty in 1880s Brooklyn after the death of his father. Cedric’s grandfather, the Earl of Dorincourt, has long ago disowned his son for marrying an American. But after the death of the Earl’s remaining son, he decides to accept the little Cedric as Lord Fauntleroy, his heir.

Dr. Malcolm Sayer, a shy research physician, uses an experimental drug to “awaken” the catatonic victims of a rare disease. Leonard is the first patient to receive the controversial treatment. His awakening, filled with awe and enthusiasm, proves a rebirth for Sayer too, as the exuberant patient reveals life’s simple but unutterably sweet pleasures to the introverted doctor.

Did you ever wish you could get the hottest girl in school? This is the story of how non-jock Henry (Gregory Smith) indeed gets the girl, Grace (Jordana Brewster), but not without complications.

In the aftermath of a roadside accident, the line between the living and the dead collapses for a mother, a daughter and a stranger. A family affair, the movie was written, directed and produced by John Adams, Toby Poser, and their daughter, Zelda. They also star, shoot and compose the music for the film. A stunning portrait of resourcefulness, the family filmmaking team capitalizes on their life in the Catskill Mountains to create a unique icy tone. The skeletal forest invokes the atmosphere of dreams and as the film delves into the realm of the avant-garde, its blue-toned cinematography draws us into the sea of the subconscious.

A headstrong young teacher in a private school in 1930s Edinburgh ignores the curriculum and influences her impressionable 12 year old charges with her over-romanticized world view.

Best friends Deco (Lázaro Ramos) and Naldinho (Wagner Moura) co-own a cargo boat in Brazil’s Salvador de Bahia. They give a ride to a sultry prostitute named Karinna (Alice Braga), and soon both men fall prey to her considerable sexual charms, pushing the bonds of their friendship to the limit.

For Marisol Rivera, a first generation Mexican-American, college is everything she’s worked toward. She spent mornings cleaning horse stalls and evenings studying. Now, with a scholarship in hand, she’s ready to leave Southwest Texas and begin her new life. However, when Marisol is falsely accused of a crime, she learns a heartbreaking truth: she’s undocumented. Forced to go on the run, Marisol discovers a kind America amidst a harsh bureaucratic system. A coming of age film through the lens of immigration, Marisol critically examines systemic oppression and the causality of racism.

Carrie Watts begrudgingly lives with her busy, overprotective son, Ludie and pretentious daughter-in-law, Jessie Mae. No longer able to drive and forbidden to travel alone, she wishes for freedom from the confines of the house.