Three lovable party buds try to bail their friend out of jail. But just when the guys have mastered a plan, everything comes dangerously close to going up in smoke.

A recovering alcoholic and jazz pianist in NYC confronts his acerbic family during their annual Fourth of July vacation.

The luxuriantly bearded Pirate Captain is a boundlessly enthusiastic, if somewhat less-than-successful, terror of the High Seas. With a rag-tag crew at his side, and seemingly blind to the impossible odds stacked against him, the Captain has one dream: to beat his bitter rivals Black Bellamy and Cutlass Liz to the much coveted Pirate of the Year Award. It’s a quest that takes our heroes from the shores of exotic Blood Island to the foggy streets of Victorian London. Along the way they battle a diabolical queen and team up with a haplessly smitten young scientist, but never lose sight of what a pirate loves best: adventure!

Having never fully recovered from a prom date that became a total disaster, a man finally gets a chance to reunite with his old prom date, only to run up against other suitors including the sleazy detective he hired to find her.

For 27-year-old Ben, life couldn’t be better. A well paid job, friends, parties, girls and nothing to tie him down. But when he is invited back to his old school to join several other ex-students including Alex and Jim in talking about their personal achievements, something goes wrong.

As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.

Back to his hometown, a former marshal finds his house occupied by a young woman working as a fishwife.

Zenon Kar is 15 and lives on a space station which the military has taken over and is dismantling. She receives a mysterious signal and must convince everyone that it’s from aliens who have come to help them.

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An auditor who completely despises Christmas is sent to a small town for work, where he meets a woman determined to change his view about the holiday.

When a young couple buys their dream home, they have no idea what the sweet little old lady upstairs is going to put them through!

As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).