Art, politics and motorcycles – on the occasion of his 90th birthday John Berger or the Art of Looking is an intimate portrait of the writer and art critic whose ground-breaking work on seeing has shaped our understanding of the concept for over five decades. The film explores how paintings become narratives and stories turn into images, and rarely does anybody demonstrate this as poignantly as Berger.

Based on the true childhood experiences of Noah Baumbach and his brother, The Squid and the Whale tells the touching story of two young boys dealing with their parents divorce in Brooklyn in the 1980’s.

“Plastic Paradise” is an independent documentary film that chronicles Angela Sun’s personal journey of discovery to one of the most remote places on Earth, Midway Atoll, to uncover the truth behind the mystery of the Great Pacific Garbage Patch. Along the way she encounters scientists, celebrities, legislators and activists who shed light on what our society’s vast consumption of disposable plastic is doing to our oceans — and what it may be doing to our health.

The best-selling videogame, Hitman, roars to life with both barrels blazing in this hardcore action-thriller starring Timothy Olyphant. A genetically engineered assassin with deadly aim, known only as “Agent 47” eliminates strategic targets for a top-secret organization. But when he’s double-crossed, the hunter becomes the prey as 47 finds himself in a life-or-death game of international intrigue.

Arch sceptic Professor Phillip Goodman embarks upon a terror filled quest when he stumbles across a long-lost file containing details of three cases of inexplicable ‘hauntings’.

When an evil dictator threatens to take over the kingdom, Princess Rosalinda gets put into the Princess Protection Program. She is taken under the wing of General Joe Mason, an agent from the agency, and his daughter, Carter, who works after school at a nearby bait shop. Rosalinda goes undercover as a regular teen named, Rosie with the help of Carter. In turn, Rosalinda helps Carter overcome insecurities with herself and her crush on Donny who also likes her but can’t tell or get shy.

Provocative, funny and profoundly moving, Bastardy is the inspirational story of a self proclaimed Robin Hood of the streets. For Forty years and with infectious humour and optimism, Jack Charles has juggled a life of crime with another successful career- acting

Hiroshima and Nagasaki: 75 Years Later is told entirely from the first-person perspective of leaders, physicists, soldiers and survivors.

Voluptuous beauty Anna Nicole Smith marries an elderly millionaire and poses for Playboy, but after her husband’s death, her excessive drinking, pill-popping and weight fluctuations take their toll.

Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)

The classic Charles Dickens’ Christmas ghost tale told in musical form.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.