A young couple become stranded in the woods where they encounter a werewolf and a house of horrors.
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Emily Burns is being held captive in a room with no idea as to why or how she got there. Determined to escape and return to her daughter and husband, Emily discovers clues within the room that help explain what she’s doing there. They even provide clues about who she is…but will they help her escape?
A military experiment to create a race of super-warriors go awry, and legions of murderous zombies are unleased upon a surburan neighborhood.
Sometimes the Dead have unfinished business. A storm from hell brings mysterious strangers . . . who come with secrets. Emma is a struggling romance writer. David is a traumatized war veteran struggling with his past and sleeping in his van. They face an evil and terrifying menace as the strangers appear. Veronica arrives naked. Coby has blood on him. Then the Others come. Sex and murder, lust and deadly vengeance make this a night that the romance writer and her new friend will never forget . . . if they survive. Set in an antique house amidst the haunted saltwater marshes of Cape Cod, like the Sixth Sense, the film marries Hitchcock and the paranormal in a tightly plotted thriller.
A horror-comedy slasher set in the 80’s about a woman wrongfully fired from her office job and forced to take on a temporary job on a crime scene cleanup crew. With a maniacal serial killer on the loose leaving them lots of work, did he ever leave the scene of the crime?
The creation of filmmaker Michael Emanuel, SCARY OR DIE tells five interwoven horror stories that take place in and around the “City of Angles”. A flesh-eating clown desperately trying to protect the person he craves the most; a dirty cop and a hit gone wrong with a vengeful Necromancer; a beautiful but mysterious woman and a lonely man looking for love in all the wrong places; a gruesome, blood-splattered uprising of illegal Mexican zombies; and a Cajun conjurer grandfather whose gift of never-ending love goes terribly awry…SCARY OR DIE is a unique experience in horror filmmaking certain to fulfill all your twisted horror film experience needs.
When a group of friends and colleagues tracks reclusive writer Samantha Ballard (Aleece Jones) to her remote desert house, their reluctant hostess informs them that they’ll die if they try to escape. After her ex-husband disastrously tests Samantha’s pledge, the remaining guests sink into horror. If they want to leave Fear House alive, this desperate group must act fast in writer-director Michael R. Morris’s claustrophobic spook fest.
Three naïve guys, in their 20s, drive from Illinois to LA. A sleazy real-estate agent gives them a great deal on a house in the Hollywood Hills. The night they arrive, a solitary Mexican, who speaks only Spanish, tries to warn them that the place is possessed by Satan. They don’t understand him, move in, and plan a party after they meet Lucy, their gorgeous neighbor from down the hill. An old friend of theirs, studying to be a priest, joins them. In the basement is a portal to Hell, so at the party, guests meet their end in various ways. Lucy and her friends may not be who the lads think. Is there any hope for these innocents? Maybe their neutered dog can help.
Two porn directors set out to make, what they call, the greatest porno ever made…all from their casting couch. Over the course of their auditions, they meet a score of bizarre, horny, violent and religious characters. But everything comes to a bloody pause once they encounter a savage, power drill wielding maniac, who brutalizes his victims with a rusty drill bit.
One year ago, Agnes Rickover attended opening night at the Bates Motel and Haunted Hayride to see her best friend Lily’s dramatic debut. A horrific accident resulted in Agnes witnessing Lily’s fiery death in a spectacle gone wrong. After a year of obsessing over a murder investigation everyone else thinks is open and shut, Agnes goes to work at the Haunt in an attempt confront her trauma. Horrific events begin to claim the lives of her coworkers and Agnes must figure out what is behind all of the “accidents” before more people die.