A Secret Service Agent is held captive in the trunk of a car and endures high-speed mental and physical torture as terrorists attempt to extract needed information for their sinister plot.
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Robert McQueen’s day takes a turn for the worst when he is held hostage and accused by three vengeful husbands of sleeping with their wives.
Spanish photographer Francesc Boix, imprisoned in the Mauthausen-Gusen concentration camp, works in the SS Photographic Service. Between 1943 and 1945, he hides, with the help of other prisoners, thousands of negatives, with the purpose of showing the freed world the atrocities committed by the Nazis, exhaustively documented. He will be a key witness during the Nuremberg Trials.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
In a small Minnesota town, the annual beauty pageant is being covered by a TV crew. Former winner Gladys Leeman wants to make sure her daughter follows in her footsteps; explosions, falling lights, and trailer fires prove that. As the Leemans are the richest family in town, the police are pretty relaxed about it all. Despite everything, main rival (but sweet) Amber Atkins won’t give up without a fight.
Driving cross-country to a job interview, Colin takes a short cut and comes across a fatal road accident. One of the drivers, Jina, is shaken but unhurt; the other has been killed instantly. Beside the dead body is a briefcase full of money, which Colin turns in to the local police. But getting out of town proves a nightmare, as Colin’s good deed causes a series of bizarre events to unfold.
Aishah (Diana Danielle) is a young woman living during the Japanese Occupation of Malaya, who, after being knocked unconscious while escaping from the clutches of the Japanese Army, wakes up in a quiet, sleepy village, seemingly untouched by the war. The villagers give her shelter and she begins a new life there. But soon it becomes clear that the village hides other secrets as well. Aishah is haunted by the presence of a young deformed girl whom no one else can see and she discovers that an unknown evil lurks in the surrounding woods nearby the village, an ancient creature that makes the villagers its prey, a demon known only as Azazil. The villagers keep an uneasy peace with the demon through offerings but the moment Aishah enters the village, the attacks inexplicably begin again.
Todd is the story of a man who has always felt like the “odd man out.” From a young age, Todd is shunned and ridiculed by his peers. Over time his pain and anger turns into rage and despair. When psychoanalysis and depression drugs don’t work, the young eccentric becomes morbid and introverted, withdrawing from society in a downward spiral to insanity. He not only sets his sights on an aspiring young actress, but on his psychiatrist and the doctor’s family too. “TODD” takes you on a nail biting, edge of your seat journey into the mind of a budding madman.
Luke Palmer, a Los Angeles widower, has been in therapy for a year since his wife’s accused killer was found Not Guilty at trial. In an attempt to get away from his anguish, Luke takes a trip to Scottsdale for a three-day vacation, but is kidnapped and awakens to find himself in a room with a recording device…and an electrified restraining chair. The next thing Luke knows, a hooded man is dragged into the room and secured in the chair. The hood is removed to reveal Galen Terry, the man acquitted for Luke’s wife’s murder. An ominous voice comes over a loudspeaker and says “My name is Justice. You are here to retry the case of California vs. Terry for the murder of your wife… The defendant’s chair is electrified. The electricity is controlled by the red button. Feel free to use it.”
When a hunter sent back to the prehistoric era runs off the path he must not leave, he causes a chain reaction that alters history in disastrous ways.
Two hired assassins working for a Mexican cartel are faced with something unimaginable: they get to custody a 10-years-old girl, the daughter of the head of their rival clan, who has kidnapped the son of their boss. The situation is terrible: or an exchange takes place, or somebody will have to carry out a job that no amount of blood on their hands could ever have prepared them for.
