England, 1897. Abraham Van Helsing receives a letter from his former student Dr John Seward requesting his urgent assistance in the northern town of Whitby, where his fiancée Lucy is showing all the signs of vampirism. Van Helsing follows the bloody trail to the coffin of Count Dracula himself. Van Helsing is a fresh take on the legend of Dracula through the eyes of his greatest enemy.
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A young couple travels to Sweden to visit their friend’s rural hometown and attend its mid-summer festival. What begins as an idyllic retreat quickly descends into an increasingly violent and bizarre competition at the hands of a pagan cult.
Radhika, a journalism intern is investigating bike riders violating traffic on a city flyover, turns sinister when she becomes prime suspect in the mysterious death of one of the motorists, she is forced to prove her innocence and find the real culprit.
Hashima Island was once the most densely populated island but has been a ghost island since 1974. A group of teenagers will now step foot on this island to capture paranormal encounters on tape. On the island, the teenagers are thrilled as they explore. However, their excitement is short-lived. They realize something ominous is creeping up on them and the hair-raising truth unveils through the lens of the camera.
A group of tech-savvy teens stream their wild party online. But when Brie (Alice Darling) wakes up, she’s all alone. A sinister smiley message tells her that her friends are each trapped in separate boxes. They’ve all got their phones, but if anyone attempts to call the police or their parents, the penalty will be deadly.
Tell Gordon Hello was spawned off of Morgan Rodner’s love of two things: film and comics. During a writer’s block that all artists come across at some point in their lifetime, Rodner met Paul Louis Harrell while directing another short film. Rodner soon discovered that Harrell had a pastime of playing the Joker on Hollywood Blvd for tips which was the catalyst that put the wheels into motion for Tell Gordon Hello. – Written by Morgan Rodner
Sixty years ago an unimaginable tragedy struck the Ruth Lee Elementary School when a little girl named Rosa Leigh was killed along with her teacher and the school’s janitor. Now, four paranormal investigators seek to debunk the claims which surround the abandoned school. However, they inadvertently release the darkness which dwells within the school.
A Mexican-American couple expecting their first child relocate to a migrant farming community in 1970’s California. When the wife begins to experience strange symptoms and terrifying visions, she tries to determine if it’s related to a legendary curse or something more nefarious
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
