A tribute to The E Street Band, rock ‘n’ roll, and the way music has shaped Bruce Springsteen’s life, this documentary captures Bruce reflecting on love and loss while recording with his full band for the first time since Born in the U.S.A.
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Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
Based on the 1973 rock opera album of the same name by The Who, this is the story of 60s teenager Jimmy. At work he slaves in a dead-end job. While after, he shops for tailored suits and rides his scooter as part of the London Mod scene.
A look at the world of in vitro fertilization and the rapidly-advancing science of childbearing.
An adrenaline seeking snowboarder gets lost in a massive winter storm in the back country of the High Sierras where he is pushed to the limits of human endurance and forced to battle his own personal demons as he fights for survival….
Emmy award-winning filmmaker Deeyah Khan joins the frontline of the race wars in America, sitting down face-to-face with Neo-Nazis and fascists.
Legends speak of Giants that once walked the earth. In America alone there have been over 1,500 newspaper accounts, including 3,781 skeletons of a race of blond-haired giants discovered and exhumed. Where did the evidence go? Did the Smithsonian Institution cover it up?
A former corporate executive fleeing a bad marriage becomes a cannabis farmer, forms a company called Sisters of the Valley and takes on the persona of a nun, Sister Kate.
A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”
That’s Not Funny is an examination of the history of taboo subjects and controversy in comedy, and one comedy fan’s heartfelt and passionate defense of an art form.
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.
The film is based on a true story: the tragic life of China’s first prima donna of the silver screen, Ruan Lingyu. This movie chronicles her rise to fame as a movie actress in Shanghai during the 1930s. Actress Maggie Cheung portrayed Ruan in this movie. Nicknamed the “Chinese Garbo,” Ruan Lingyu began her acting career when she was 16 years old and committed suicide at age 24. The film alternates between present scenes (production talks between director Kwan, Cheung, and co-star Carina Lau, interviews of witnesses who knew Ruan), re-creation scenes with Cheung (as Ruan, acting inside this movie), and extracts from Ruan’s original films including her final two films The Goddess and New Women.
