Academy Award Winning Director, Daniel Junge (Saving Face) and director Bryan Storkel (Holy Rollers: The True Story of Card Counting Christians) team up with producers Eben Kostbar and Joseph McKelheer (The Hammer) for a feature documentary about the confluence of Christianity and mixed martial arts, including ministries which train fighters. The film follows several pastors and popular fighters in their quest to reconcile their faith with a sport that many consider violent and barbaric. Faith is tried and questions are raised. Can you really love your neighbor as yourself and then punch him in the face?

Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic “Freaks”) before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.

BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.

A concert inspired by the Coen Brothers’ film, ‘Inside Llewyn Davis,’ which is set in the 1960s Greenwich Village folk music scene, featuring live performances of the film’s music, as well as songs from the early 1960s. Performers include the Avett Brothers, Joan Baez, Dave Rawlings Machine, Rhiannon Giddens, Lake Street Dive, Colin Meloy, The Milk Carton Kids, Marcus Mumford, Punch Brothers, Patti Smith, Willie Watson, Gillian Welch, and Jack White, as well as the star of the film Oscar Isaac.

After six weeks of gruelling competition, England battle reigning champions Australia. The two teams are inseparable after eighty minutes. Deep into extra time, there are just two minutes left on the clock. England rumble to within 40 yards of the posts. The ball is sent spiralling back to Jonny Wilkinson, the golden boy of English rugby, in a split second he drop kicks for goal and a chance for sporting immortality. It is an astonishing story of pressure, expectation and courage, tracing the roots of success back to the professionalization of the game in the 90s and culminating in that glorious World Cup campaign of 2003 that turned Woodward’s poisoned chalice into a golden cup.

While her husband served a life sentence, paradoxically kept safe and morally uncontaminated, Winnie Mandela rode the raw violence of apartheid, fighting on the front line and underground. This is the untold story of the mysterious forces that combined to take her down, labeling him a saint, her, a sinner.

This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

The story of the battle to free Debbie Peagler, an incarcerated survivor of brutal domestic violence. Over 26 years in prison cannot crush the spirit of this determined African-American woman, despite the injustices she has experienced, first at the hands of a duplicitous boyfriend who beat her and forced her into prostitution, and later by prosecutors who cornered her into a life behind bars for her connection to the murder of her abuser. Her story takes an unexpected turn two decades later when a pair of rookie land-use attorneys cut their teeth on her case — and attract global attention to the troubled intersection of domestic violence and criminal justice.

The story of how police repeatedly allowed a serial murderer to slip through their fingers. Stephen Port date-raped and murdered four young gay men in East London within fifteen months and dumped all four bodies within a few hundred metres of each other. The film tells the story through eyes of the families of Port’s victims, unpicking how the police failed to properly investigate each of the deaths in turn. The police’s assumptions that these young gay men had died from self-inflicted overdoses of chem-sex drugs allowed Port to continue raping and killing innocent young men.

Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.

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