In the sterile setting of a powerful multinational, two young women compete … Isabelle is working under the orders of Christine, a woman of power she admires unreservedly.

A girl is approached by a strange boy outside her high school. He asks her to follow him to hear stories where gods fall in love with human beings.

New York City teenager Jo (Ana Villafañe) witnesses the gruesome murder of both her parents and is sent to rural Montana as part of the Witness Protection Program. On top of having no cell phone, email or any contact with her past life, plus hiding from a dangerous hitman out to finish her off, Jo must also deal with the drama of being the new kid in the small town’s high school (www.tribute.ca).

Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.

Offbeat Civil War drama in which a wounded Yankee soldier, after finding refuge in an isolated girls’ school in the South towards the end of the war, becomes the object of the young women’s sexual fantasies. The soldier manipulates the situation for his own gratification, but when he refuses to completely comply with the girls’ wishes, they make it very difficult for him to leave.

Baby Bink couldn’t ask for more; he has adoring (if somewhat sickly-sweet) parents, he lives in a huge mansion, and he’s just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink’s parents; especially the three enterprising kidnapers who pretend to be photographers from the newspaper. Successfully kidnaping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

Everyone deserves a great love story. But for seventeen-year old Simon Spier it’s a little more complicated: he’s yet to tell his family or friends he’s gay and he doesn’t know the identity of the anonymous classmate he’s fallen for online.

Thomas is turning 16. His dad’s in the army and they’ve just moved to a town in New South Wales; his mom is pregnant; his older brother, Charlie, who’s autistic, has his own adolescent sexual issues. Thomas finds Charlie an embarrassment in public, so when Thomas is attracted to Jackie, a girl in his swim class, Charlie presents any number of obstacles when she drops by their house, when the three of them go for a walk, and during a family birthday dinner. Can Thomas find a way to enter the world of teen romance and still be his brother’s keeper, or is Charlie’s disability going to prove more than Thomas can handle?

The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.

Willy the whale is back, this time threatened by illegal whalers making money off sushi. Jesse, now 16, has taken a job on an orca-researching ship, along with old friend Randolph and a sarcastic scientist, Drew. On the whaler’s ship is captain John Wesley and his son, Max, who isn’t really pleased about his father’s job, but doesn’t have the gut to say so. Along the way, Willy reunites with Jesse

Leon, a mixed-race boy, and Jake, his white baby brother, are separated after their mother has a breakdown. Leon is determined to find him and gets unexpected support along the way.

At a rundown bus station in rural Cuba, the line of passengers waiting just keeps getting longer. The problem is that every bus that passes by is already full. Their only hope is to wait for the station’s bus to be fixed. As the disparate group settles in, relationships start forming between the passengers: Emilio, a young engineer, becomes smitten with a beautiful young woman who is en route to meet her Spanish fiancé, a blind man gets support from the others to go to the head of the line. Frustration and disorder reign when the one bus brakes down and no one can leave. Resigned to working together, the group magically transforms the station into a beautiful place where no one wants to leave.