Exploring the fallout of MIT Media Lab researcher Joy Buolamwini’s startling discovery that facial recognition does not see dark-skinned faces accurately, and her journey to push for the first-ever legislation in the U.S. to govern against bias in the algorithms that impact us all.
You May Also Like
The Man Who Saved the World is feature documentary film about Stanislav Petrov, a former lieutenant colonel of the Soviet Air Defence Forces.
Viktor Bout was a war profiteer, an entrepreneur, an aviation tycoon, an arms dealer, and—strangest of all—a documentary filmmaker. The Notorious Mr. Bout is the ultimate rags-to-riches-to-prison memoir, documented by the last man you’d expect to be holding the camera.
Emmy-winning Israeli filmmaker Maya Zinshtein (Forever Pure) returns to the Festival with this riveting exposé that investigates the unlikely connection between Jews and evangelical Christians in the U.S. and Israel, and the startling hypocrisy at its core. From conversations with a devout pastor and his congregation in rural Kentucky to meetings with religious leaders in Washington D.C. and Israel, Zinshtein closely follows Chicago native Yael Eckstein, President and CEO of the influential advocacy group the International Fellowship of Christians and Jews, in her fundraising and coalition-building efforts. What she uncovers is a shocking alliance rooted in apocalyptic prophecy and driven in unprecedented ways by Donald Trump’s White House.
Jackass 3D is a 3-D film and the third movie of the Jackass series. It follows the same premise as the first two movies, as well as the TV series. It is a compilation of various pranks, stunts and skits. Before the movie begins, a brief introduction is made by Beavis and Butt-head explaining the 3D technology behind the movie. The intro features the cast lining up and then being attacked by various objects in slow-motion. The movie marks the 10th anniversary of the franchise, started in 2000.
Ancient oceans teeming with life, Norwegian settlers, Native Americans and multinational oil corporations find intimacy in deep time. Following up his 2009 feature Crude Independence (SXSW), Deep Time is director Noah Hutton’s ethereal portrait of the landowners, state officials, and oil workers at the center of the most prolific oil boom on the planet for the past six years. With a new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth, Deep Time casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.
From PBS – Focusing on the most important strip of Omaha beach that day – the exit at Vierville-sur-Mer – D-DAY 360 strips D-Day back to its raw data to reveal how the odds of victory, in the greatest gamble of World War II, swung on what happened over a five-hour period on a five mile stretch of French coastline. Data gathered though forensic laser scanning, 3D computer modeling, and eye-witness accounts bring the battlefield to life as never before.
Surrounded by the mountains and people who are his inspiration, in ‘Path to Everest’, the mountain athlete Kilian Jornet reveals his most intimate fears, contradictions and passions. Summits of My Life is the personal project of Kilian Jornet, in which for five years he has traveled to some of the most important peaks of the planet to try to establish FKT (fastest known time) of ascent and descent of some of the most emblematic mountains of the world. The project is closely linked to values and a way of understanding the purist and minimalist mountain. The experiences lived in each challenge have been captured in different films.
The film explores the global power and impact of the music of John Coltrane and reveals the passions, experiences and forces that shaped his life and revolutionary sounds.
Some thirty years ago, a working-class subculture was taking grip of cities across the UK that has left a lasting legacy. This began on the back of the mod revival of the late 1970s when notorious football firms from the cities like Liverpool, Manchester and London stole expensive designer sportswear from the countries they visited. It didn’t start with the high-street giants telling these lads what to wear. Instead, they set the trends and the high-street stores caught up. As the 1980s began in Britain, under the radar the ‘casual’ had already arrived. From Barcelona to Berlin, Milan to Moscow, teenagers today are copying fashions and a culture that developed on the streets and terraces of British cities. But how did the football casual subculture come about? What did they stand for? What made them tick? Why it’s legacy is still having an impact on today’s fashion industry.
Exploring the labyrinth of the contemporary art world, The Price of Everything examines the role of art and artistic passion in today’s consumer-based society. Featuring collectors, dealers, auctioneers and a rich range of artists, from current market darlings Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, to one-time art star Larry Poons, the film exposes deep contradictions as it holds a mirror up to contemporary values and times, coaxing out the dynamics at play in pricing the priceless.
Meru is the electrifying story of three elite American climbers—Conrad Anker, Jimmy Chin, and Renan Ozturk—bent on achieving the impossible.
In this film made over ten years, filmmaker Barbara Sonneborn goes on a pilgrimage to the Vietnamese countryside where her husband was killed. She and translator (and fellow war widow) Xuan Ngoc Nguyen explore the meaning of war and loss on a human level. The film weaves interviews with Vietnamese and American widows into a vivid testament to the legacy of war.