A Gulf War veteran with PTSD (Kilmer) heads to a small town to find his friend. When he arrives his friend and his family have vanished and the townsfolk afraid to answer questions about their disappearance. He soon discovers that the town is owned and controlled by one man (Gary Cole) and he doesn’t like people asking questions.
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When his brother-in-law runs afoul of a drug lord, family man Chris Farraday turns to a skill he abandoned long ago – smuggling – to repay the debt. But the job goes wrong, and Farraday finds himself wanted by cops, crooks and killers alike.
Due to a road rage between two buses, an accident occurs which puts the lives of its passengers in jeopardy. But the ones greatly affected by such event are a middle-aged woman named Fiesta (Eugene Domingo), an old and retired family patriarch Tonio (Leo Martinez), and a lad named Caloy (Enchong Dee). These three people are pierced through a single steel bar – a dangerous situation that even their doctors find hard to solve. But even before this unfortunate circumstance, these three have their share of ill-fated lives.
In the reign of emperor Tiberius, Gallilean prophet John the Baptist preaches against King Herod and Queen Herodias. The latter wants John dead, but Herod fears to harm him due to a prophecy. Enter beautiful Princess Salome, Herod’s long-absent stepdaughter. Herodias sees the king’s dawning lust for Salome as her means of bending the king to her will. But Salome and her lover Claudius are (contrary to Scripture) nearing conversion to the new religion. And the famous climactic dance turns out to have unexpected implications…
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
The story takes place within Neo Tokyo in the year 2025, five years after a severe terrorist attack at the 2020 Tokyo Olympics. Students possessing special abilities are forced into serving an elite anti-terrorist unit created by the United Nations, fighting against threats including other ability users. If these agents fail their mission, they will be killed along with their families, who have bombs planted within their heads. One member of this covert ops unit, a Swedish girl by the name of Anthea Kallenberg, seeks to find who she really is.