Cordelia ia a troubled, damaged soul who is only just recovering after some unnamed trauma; she is an actor rehearsing a play and comes to stay in a creepy London mansion flat occupied by her twin sister Caroline and Caroline’s boyfriend Matt. When they leave her alone there Cordelia strikes up a friendship with Frank the charming, but strange and unreliable young man they can hear practising his cello in the upstairs flat – a relationship which quickly becomes very disturbing.
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A group of friends decide to spend a weekend together at a country house, but an unexpected accident forces them to stop at a strange and remote estate. In this abandoned and eerie place, a rare antique camera is discovered. Slowly the camera draws them into a mystical and tragic chain of events that none of them could have seen coming. Anyone who has their picture taken by the camera sees a photo revealing their death. Many of them lose their lives in excruciating ways, as they race to solve the mystery of the camera.
Lonely college freshman Alex has closed himself off from his peers, who all appear to have this whole “college thing” figured out. But everything changes one night when Alex takes a leap and attends a party at Shithouse – a legendary party fraternity – where he forges a strong connection with Maggie.
In Bucharest, Allison is protecting the mysterious bible, “The Prophet Lexicon”, where the last chapter about the apocalypse, called Revelations, discloses the name of the Antichrist in its last page. Meanwhile, the evil and jealous leader of the renegade angels Thrones, Stark, forces the hit-man Dylan to kill Allison to get the information about the Antichrist, but Dylan mysteriously feels attracted by the woman, protecting her against the Thrones. Allison seeks John Reigart for help, but Satan tell her that he is interested in the apocalypse to gather millions of souls to Hell. Alone and betrayed, Allison discloses the truth about her origins, while protecting the Lexicon.
On July 27th, university student Aoi Hinata (Miwa) has an accident. When she wakes up, Aoi Hinata finds herself in a classroom from one week before the accident. At that time, her childhood friend Riku Hasegawa (Kentaro Sakaguchi) tells her “I will tell you a secret. I can turn back time.” Aoi Hinata and Riku Hasegawa like each other, but never expressed their feelings. They share their feelings for each other and go back to one year earlier. They spend their time happily as girlfriend and boyfriend, but there is a big secret behind the time slip. In addition, July 27 is approaching.
A whiplash thriller in the lean, mean TAKEN tradition from Howard J. Ford, Director/Co-Writer, of the past FrightFest favourites THE DEAD and THE DEAD 2: INDIA. Former FBI agent, now single mother Lisa Brennan, takes a holiday to escape an unhappy love affair and painful family memories. But in a heartbeat is not only faced with a daughter kidnapped by human traffickers, but also faces murder charges and must keep one step ahead of the foreign police. Fasten your seatbelts for spectacular twists, startling turns and breathless suspense in a jolt-a-minute journey no mother should go on!
An elliptical, minimalist narrative of a lost, wandering child in the wake of an affair that may or may not have even happened.
The Orphan Killer is a tour de force murder flick that defies classification. It goes far beyond current trends in gore and breaks open a new suffering genre of horror. Marcus Miller is a serial murderer hellbent on teaching his estranged sister Audrey what it means to have family loyalty. His lessons are taught in massive doses of vulgar and unimaginable pain. Throughout her brutal torture we learn that Marcus is not the only Miller with Killer in the bloodline as Audrey proves to be a formidable adversary.
Carrie Watts is living the twilight of her life trapped in an apartment in 1940’s Houston, Texas with a controlling daughter-in-law and a hen-pecked son. Her fondest wish — just once before she dies — is to revisit Bountiful, the small Texas town of her youth which she still refers to as “home.”
A reclusive novelist struggles to find romance and meaning in his life despite disastrous and comedic circumstances.
A conservative professor at a Christian college finds himself in a gay support group to stop their launch of an LGBT homeless youth shelter in their small town.
