Three stories about the world of opioids collide: a drug trafficker arranges a multi-cartel Fentanyl smuggling operation between Canada and the U.S., an architect recovering from an OxyContin addiction tracks down the truth behind her son’s involvement with narcotics, and a university professor battles unexpected revelations about his research employer, a drug company with deep government influence bringing a new “non-addictive” painkiller to market.
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Tom Carver is a man stumbling blindly towards a crossroad in his life, thrown out of focus by the death of his teenage son a year earlier. He becomes involved in a feud with a teenage gang after a seemingly harmless collision with a young kid. As the feud becomes more horrifying, Carver’s world starts to unravel forcing him to make decisions that will change his life forever.
Mary Murdock, a college student, thinks she’s hit and killed a cat with her car driving home drunk from a party. She is horrified beyond words when she gets home and discovers a man’s nearly dead body impaled on the bumper of her Jeep. Terrified and irrational, Mary is faced with a series of decisions that determine her fate.
70-year-old widower Ben Whittaker has discovered that retirement isn’t all it’s cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
In 2004, Hope Ann Greggory became an American hero after winning the bronze medal for the women’s gymnastics team. Today, she’s still living in her small hometown, washed-up and embittered. Stuck in the past, Hope must reassess her life when a promising young gymnast threatens her local celebrity status.
A woman’s hopes of reviving a 10 year love affair are shattered a piece at a time. The new Mark Savage film is always a special event at the Melbourne Underground Film Festival. It features a cameo from Ron Jeremy and is an erotic adventure that will pervert and entice.
A young man struggling for a good life meets a deaf girl from a well-off nearby family, he suddenly sees hope for love, and a better life but only if he can escape the predicament of the streets and the influence of his older sister.
Doc McCoy is put in prison because his partners chickened out and flew off without him after exchanging a prisoner with a lot of money. Doc knows Jack Benyon, a rich “business”-man, is up to something big, so he tells his wife (Carol McCoy) to tell him that he’s for sale if Benyon can get him out of prison. Benyon pulls some strings and Doc McCoy is released again. Unfortunately he has to cooperate with the same person that got him to prison.
Antoine is a musician. The forties, he suddenly decides to end his career. After a few days of wandering, he gets a job as a janitor. Mathilde lives in the old building in the east of Paris where he takes office. This is a young retiree, generous and involved, who divides his time between his associational activities and the life of the condominium. One night, she discovers a disturbing crack on the wall of his living room. Gradually, his anxiety grew to turn into panic and if the building collapsed … Slowly, Antoine befriends the woman he feared to see slip into madness. Between slips and concerns, both form an awkward tandem, humorous and solidarity which will, perhaps, through this bad patch.
When Jack Archer (Chase Williamson) gets the opportunity to finally direct a feature-length film, he doesn’t expect sleazy producer Bob Moseby (Chris Browning) to ask him to film a real murder! With his own life on the line and the days counting down, Jack doesn’t know how to do what’s right and save himself.
A serial killer is loose on the streets of Atlantic City. His ten victims are prostitutes, his methods are ruthless and yet his motives are unknown. Two embattled homicide detectives, Mayfield and Jesse, are in a race against time to catch this killer. They have just a few hours to utilize all of their resources and prevent murder number eleven. But with very few leads, very little support, and luck playing against them they are in for a long night because being wrong is unforgiving and number eleven is already gone.