Dating Daisy is a romantic comedy about the honest and crazy truth of dating in your twenties! The story follows Michael and Daisy, two exes who decide to road trip home together for the holidays and get caught up in their crazy past.
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When Jacob tells Jesus that his son, Lazarus, is dead, Jesus goes to his home to resurrect him. Only, this is the first time that Jesus has ever tried to bring back someone from the dead. You do not always get it right the first time. What follows is a gore-tastic nine minutes of Biblical splatter violence and comedy. Even our Lord and Savior goofs up once and a while. But he makes amends. Big time.
As a young scientist searches for a way to save a dying Earth, she finds a connection with a man who’s racing to catch the last shuttle off the planet.
Ishak, a wandering musician from a small mountain town. A lynching he was a part of 7 years ago comes back to haunt him as he returns to his town to say farewell to his dying mother. Facing the other five perpetrators–his childhood friends—as well as the community and government officials supporting them, Ishak struggles with the guilt weighing upon him. However, the bigger the crime is, the stronger the silence gets since everyone has blood on their hands.
Two friends try executing their ‘get-rich-quick’ plan by kidnapping their boss’s daughter, but when the plan falls apart, they must scramble to fix the situation and repair their friendship.
A senator, who became famous for killing a notorious outlaw, returns for the funeral of an old friend and tells the truth about his deed.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
A remake of the cult classic, inspired by Randall Sullivan’s Rolling Stone article of the same name about the real life murder of a popular, affluent and beautiful Northern California high school cheerleader at the hands of a classmate.