The story of straight-edge literature professor Vivian who travels to Reno to get away from a relationship breakup when she falls in love with an attractive and unconventional girl named Cay.
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A day in the life of a Chicago cab driver is examined as he picks up fares from the good and bad parts of the city and emotionally connects to many of his passengers.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
Two brilliant, but dull, scientists set out to invent a love potion, but failing in that they attempt to create the ultimate artificial woman with stunning results. Only problem is their new creation only has eyes, and lust, for busty next door neighbor.
As a parting shot, fired reporter Ann Mitchell prints a fake letter from unemployed “John Doe,” who threatens suicide in protest of social ills. The paper is forced to rehire Ann and hires John Willoughby to impersonate “Doe.” Ann and her bosses cynically milk the story for all it’s worth, until the made-up “John Doe” philosophy starts a whole political movement.
A C-list celebrity gets kidnapped and held hostage after a night-club appearance. When the police interrogate the man she accuses, they question whether she’s after justice or a front-page story.
During a professional conference in Prague, two interpreters in the Hungarian booth hilariously vie for the attention of one listener.
Sisters Kristina (Deborah Joy Winans) and Vicky (Lisa Michelle Cornelius) receive an early Christmas gift—a luxurious vacation at an exclusive resort—from their Aunt Debbie (Marium Carvell), who hopes to bring them together after they’ve grown apart since their mother’s death. The sisters are less than thrilled by the idea of spending time together: Vicky loves Christmas, whereas Kristina no longer enjoys the holiday without their mom. With strong convincing from Aunt Debbie, the sisters reluctantly accept her gift. Once they arrive at the resort, Kristina and Vicky run into Reginé (Kyana Teresa), a famous singer and one-time best friend who left them behind when fame came calling.
In 1950s small-town Britain, a doctor develops an intimate relationship with her young patient’s mother.
Unrest breaks out in eastern Helsinki as a Finnish family man gets hospitalized in the summer of 2015. Gangs of young people are burning down cars and public buildings, confronting the security guards and the riot police. The narrative goes backwards, towards the riots which mark the end of our movie. As the story begins, the unrest is still bubbling under, ready to explode any time. Vandalism and robbery are not uncommon in the suburbs; neither is violence towards the police and the security guards. Frustration, alienation, isolation and poverty corrode the asphalt surface of the multicultured society, otherwise relatively harmonious.
Two Iranian teenagers in love want to get married, travel to the US to get a green card and live there, but their parents object. With not enough money saved, they pin their hopes on winning the state lottery to fund their trip, but tragedy derails their plans.
