In the week that follows Princess Diana’s tragic death on 31 August 1997, four separate stories unfold as four ordinary lives are all affected in different ways in this commemorative drama from writer Jeremy Brock and director Peter Cattaneo.
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WE GO ON tells the story of one man’s quest to find out if there is more out there after we die. Paralyzed by his fear of dying, Miles Grissom offers a cash reward to the first person who can show him a ghost, an angel, a demon anything that can prove that we go on after our deaths. He narrows the responses down to three viable candidates a scientist, a medium, and a worldly entrepreneur. Along with his fiercely protective mother, he embarks on an adventure that will spiral into an unthinkable nightmare.
During the Allied Bombing offensive of World War II the public was often informed that “A raid took place last night over …, One (or often more) of Our Aircraft Is Missing”. Behind these sombre words hid tales of death, destruction and derring-do. This is the story of one such bomber crew who were shot down and the brave Dutch patriots who helped them home.
Strange rumors start to spread at the catholic girls’ high school after Unjoo committed suicide one night. Unjoo’s younger sister Jung-un who attends the same school gets suspicious about Unjoo’s death. After persistent investigation, Jung-un finds out that on the night of the incident, Soy, Eugene, Eun-young, Unjoo, the four of them had tried to commit a joint suicide after making a vow on blood. But the three are still alive, and only Unjoo had died. the desire, jealousy, and lies behind the pledge of death between the four girls are revealed, along with the hidden truth behind Unjoo’s suicide.
“Entertaining Angels” is an interesting title for this movie about the 1920’s and 30’s social activist, Dorothy Day, for it can be regarded that what this woman did, sometimes single-handedly, always controversially, in her fight against social injustice would, indeed, be wonderful entertainment for angels… or it could mean that her work was for the benefit of the ‘angels’ at the bottom of the social ladder for whom she fought daily against those who would hold them down… this included her work as a suffregette. However it is meant, this film captures much of the real-life drama that took place on big city streets, and of the very personal trials which eventually led her to convert to roman Catholicism, and a dedication to helping the poor.
In 1952, an Inuit hunter named Tivii with tuberculosis leaves his northern home and family to go recuperate at a sanatorium in Quebec City. Uprooted, far from his loved ones, unable to speak French and faced with a completely alien world, he becomes despondent. When he refuses to eat and expresses a wish to die, his nurse, Carole, comes to the realization that Tivii’s illness is not the most serious threat to his well-being. She arranges to have a young orphan, Kaki, transferred to the institution. The boy is also sick, but has experience with both worlds and speaks both languages. By sharing his culture with Kaki and opening it up to others, Tivii rediscovers his pride and energy. Ultimately he also rediscovers hope through a plan to adopt Kaki, bring him home and make him part of his family
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Five interwoven love stories explore the ups and downs of finding love. An unlikely relationship between two people who despise one another, letting go after the loss of a loved one, conquering fear and awkwardness to win over a crush, gaining the strength to move on from a loveless relationship and meeting the ‘one’ only to find out the timing couldn’t be worse.
Antonio, an unemployed man in the depressed post-WWII economy of Italy, at last finds a good job hanging up posters, the only requirement for which is that he must have his own bicycle. When Antonio’s bicycle is stolen, he and his son are forced to walk the streets of Rome in search of it, or else face ruin.