The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
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Joe Dirt is a janitor with a mullet hairdo, acid-washed jeans and a dream to find the parents that he lost at the Grand Canyon when he was a belligerent, trailer park-raised eight-year-old. Now, blasting Van Halen in his jacked-up economy car, the irrepressibly optimistic Joe hits the road alone in search of his folks.
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After a failed suicide attempt a woman is haunted by a malevolent figure.
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A serial killer, never caught, leaves clues and messages signed ‘BSP’ after quickly murdering each man but torturing his girl to death. His last case is an exception, the detective in charge finds his wife murdered while has pre-teen daughter had to watch. Thirty years later, she’s still obsessed by the case, which drove her dad insane, and a police detective herself. When the whole cycle starts again, she gets convinced it’s not BSP but an ambitious copy-cat, but he certainly outsmarts her every time. He also makes clear she’s to be his final kill. Meanwhile she alienates even colleagues with her arrogance and obsession, finally to be suspended as the FBI takes over
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Arulmozhi Varman continues on his journey to become Rajaraja I, the greatest ruler of the historic Chola empire of South India.