Vic Edwards was one of the biggest movie stars in the world, known for his mustachioed good looks and cocky swagger. With his Hollywood glory a distant memory, the now-octogenarian Vic is prompted to reassess his life with the passing of his beloved dog and the arrival of an invitation to receive a lifetime achievement award from the (fictional) International Nashville Film Festival.
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Michelle Miller is a chronic sleepwalker. She and her husband Dan Miller are trying to have their first child after she had a miscarriage the year before. One night she sleepwalks into the bedroom of her neighbor Luke Williams while his wife Nancy is out of town. They have sex; she is unaware of this but he not only knows about it but falls madly in love with Michelle and decides he wants to leave Nancy for her. Michelle gets pregnant, but doesn’t know whether the baby is Dan’s or Luke’s.
Recluse Smith is drawn into a revolutionary struggle between guerrillas and right-wingers in New Zealand. Implicated in a murder and framed as a revolutionary conspirator, Smith tries to maintain an attitude of non-violence while caught between warring factions.
Joana is the victim of a hit-and-run after antagonizing an aggressive driver who cut her off in traffic. On the surface, she’s visibly shaken but manages to walk away unscathed. Intending to shrug it off alongside her partner Cecília, a viral video turns up online, forcing her to process the event. Reluctantly the pair enter the lives of culprit Elaine, her estranged husband Cléber and son Maicon, an introverted budding filmmaker.
The film centers on a fight promoter (Mark Feuerstein) deeply in debt to his crooked rival. Desperate for a new fighter that will help him win back everything he owes, the promoter catches a break when a 450-pound church handyman (Paul “Big Show” Wight) who has spent his entire life in an orphanage agrees to wrestle on behalf of his fellow orphans.
Inspired by the dramatic true story of the Cocaine Cowgirls, Sugar follows two young Canadian women who get caught up in a major drug smuggling operation aboard a luxury cruise ship sailing around the world. With nowhere to run—the walls close in on them.
This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.
A desperate ex-con is forced to gather his old crew for one last job to pay off his sister’s debt to a dangerous local criminal.
Jamie Graham, a privileged English boy, is living in Shanghai when the Japanese invade and force all foreigners into prison camps. Jamie is captured with an American sailor named Basie, who looks out for him while they are in the camp together. Even though he is separated from his parents and in a hostile environment, Jamie maintains his dignity and youthful spirits, providing a beacon of hope for the others held captive with him.
An American man awakes in a hospital just to learn about the zombie apocalypse.