The story of Rudy Ray Moore, who created the iconic big screen pimp character Dolemite in the 1970s.
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Ebeneezer Scrooge (Alastair Sim) contentedly meanders through his life as a cruel miser until one fateful Christmas Eve when he is visited by three ghosts. The spirits show him how his behavior over the years has made him a lonely, bitter old man, and how his heart has grown colder. Using events from Scrooge’s idealistic past, dreary present and dismal future, the apparitions try their best to melt his steely soul. Tightfisted Ebeneezer Scrooge learns the error of his ways through the intervention of the ghost of his former partner and of the three spirits and, just in time for the holidays, manages to make everyone’s lives a little brighter, his included!
In June of 1994, one of the most brutal mass slaughters in history occurred in the backwoods of northern New England. Four months later, history is about to repeat itself. The end of summer signals the brink of manhood for a group of lifelong friends who proudly call New Hampshire their home. But when they embark upon a local rite of passage – traveling north for one final weekend of debauchery together – it just might prove to be their final weekend PERIOD, as this rite is doomed to go frightfully wrong. When they find themselves ensnared in a struggle for survival amongst a sinister hunting party, a bloodthirsty tribe AND a mythical beast, what began as a comedy of errors devolves into an all-out Darwinian duel to the death, and less than 24 hours will pass before a slew of lives have been claimed and the last of the living remains.
Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived.
Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon the Boys will all be rich. At least that’s what they’ve told the parole board. But when they arrive back at the park, they find it’s not the same old Sunnyvale – and it’s not the same old Jim Lahey, Trailer Park Supervisor.
The most coveted new sneaker goes on sale at 8am and sneakerheads across the country are camping out overnight to get them. RONNY, a young Filipino-American and die-hard sneakerhead, has been dreaming of these shoes for months, but his quest to get in line is hindered when a fast food cashier’s racist joke offends his sister JUSTINE. Ronny’s night takes a turn for the worst when he sees the same cashier in the sneaker line. Racial tensions among the sneakerheads intensify and Ronny’s fear of not getting his beloved sneakers is quickly replaced with the fear that he and Justine are in serious danger.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
Titu is going to marry a perfect woman named Sweety. Titu’s best-friend Sonu doubts Sweety’s character and tries to break the marriage while Sweety tries to do opposite and which leads to war between Bromance and Romace.
The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake.
Out of work TV cameraman Ron Kobelski is approached by his formerly reclusive neighbor Walter Ohlinger. Ohlinger claims that he was the mysterious “second gunman” that shot and killed President Kennedy. Ohlinger has kept quiet all these years, but has decided to tell his story now that he has been diagnosed with terminal cancer. Kobelski is skeptical of his neighbor’s story, after his investigations provide ambiguous answers. His attitude changes, however, after he receives threatening messages on his answering machine, and spots shadowy figures in his backyard. Is Ohlinger telling the truth? Or is there a bigger conspiracy at work?