A disillusioned Delhi wife (Dolly), and her new-in-town cousin (Kitty), navigate damning secrets, dreams and their thorny dynamic on their respective roads to freedom.
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The film follows Chinese American Suzie who draws on her family’s cultural traditions to spice up an old-fashioned Christmas baking competition. Suzie, a rising young architect, returns to her small hometown in Maine for Christmas where her Chinese American family runs the local Lobster Bar. Following the loss of her beloved grandmother who was a renowned baker in their community, Suzie is guilted into following in her grandmother’s footsteps bei entering the local gingerbread house competition. Teaming up with an old high school friend Billy, who grew up to be catch, Suzie must find the right recipes and mix of sugar and spice to win the competition and perhaps find some love in the process.
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left unexpectedly with Maggie and forgets that Melanie was to take her to school. As a result, both children miss their school field trip and are stuck with the parents. The two adults project their negative stereotypes of ex-spouses on each other, but end up needing to rely on each other to watch the children as each must save his job. Humor is added by Sammy’s propensity for lodging objects in his nose and Maggie’s tendency to wander.
Elvis plays Johnny, a riverboat entertainer with a big gambling problem. Donna Douglas plays Johnny’s girl, Frankie. A fortune teller tells Johnny how he can change his luck. Enter a new lady luck played by Nancy Kovack and the cat fight begins.
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
A Bridge Too Far tells the story of Operation Market Garden, the failed attempt by the allies to end the war quickly by securing three bridges in Holland and allowing access over the Rhine into Germany. A combination of poor allied intelligence and the presence of two crack German Panzer divisions meant that the final part of this operation (the bridge in Arnhem over the Rhine, the titular ‘bridge too far’) was doomed to failure.
A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.
Marc is a passionate cyclist and urban slacker who avoids work and responsibility. Marc’s life changes from one moment to the next when he suffers a life-changing accident. He can either wallow in self-pity or tackle the beast called life with the help of love and willpower.
It is the mid-1930s and the storm clouds of WWII were forming in Germany. This films charts the work of Robert Watson Watt – the pioneer of Radar – and his hand-picked team of eccentric yet brilliant meteorologists as they struggle to turn the concept of Radar into a workable reality. Hamstrung by a tiny budget, seemingly insurmountable technical problems and even a spy in the camp, Watson Watt also has to deal with marital problems as he chases his dream. By 1939, Watson Watt and his team have developed the world’s first Radar system along the south east coast of England. A system that, in 1940, proved pivotal in winning the Battle of Britain.
For as long as she can remember, 16 year-old Gracie has been raising her four siblings, each of whom has a different, absent father and their mother is on the fast track to self-destruction. When these children’s lives are about to be pulled apart, Gracie will have to do the impossible and make the ultimate sacrifices to keep her family together.
Sy “the photo guy” Parrish has lovingly developed photos for the Yorkin family since their son was a baby. But as the Yorkins’ lives become fuller, Sy’s only seems lonelier, until he eventually believes he’s part of their family. When “Uncle” Sy’s picture-perfect fantasy collides with an ugly dose of reality, what happens next “has the spine-tingling elements of the best psychological thrillers!”