Emilia arrives at her Aunt Inés’ hostel located on the Argentina-Brazil border, looking for her missing brother. In this lush jungle a dangerous beast which takes the form of different animals seems to be roaming around.

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.

Extraterrestrial beings travel the galaxy to free men “oppressed” by females to make way for an entirely-homosexual society.

After a lifetime of rivalry, two women find themselves at loggerheads once again when they set up food businesses on the same street.

Five toilets – five stories! This pitch black comedy relentlessly illuminates the darkest corners of society, thereby revealing a colorful potpourri of human perfidy. The five intertwined episodes are staged in the manner of an intimate play, occasionally testing the audiences moral judgment.

Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.

At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, “does not exist, nor will it ever exist.” His goal is to locate – and eliminate – a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.

After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort’s return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.

The tension is palpable, the excitement is mounting and the heady scent of competition is in the air as hundreds of eager contestants from across America prepare to take part in what is undoubtedly one of the greatest events of their lives — the Mayflower Dog Show. The canine contestants and their owners are as wondrously diverse as the great country that has bred them.

Aaron’s father’s funeral is today at the family home, and everything goes wrong: the funeral home delivers the wrong body, his cousin accidentally drugs her fiancé, and Aaron’s successful younger brother, Ryan, flies in from New York, broke but arrogant. To top it all off, a mysterious stranger wants a word with Aaron.

Harry (Brian Petsos) is having a very, very bad day. He returns home from an all-night drinking binge with his cousin Cecil (Oscar Issac), to discover that his little dog Jolly…Harry’s one true love and the source of light in his dark, solitary life-has been murdered. Brokenhearted and beyond consolation, he vows to track down the dog’s murderer at any cost. Armed with a stockpile of firepower in the trunk of his car, he and Cecil embark on a frenzied, alcohol-fueled wild-goose chase, leaving a bloody path of destruction in their wake.

A surreal adaptation of Sir Thomas Malory’s “Le Morte d’Arthur”, chronicling Arthur Pendragon’s conception, his rise to the throne, the search by his Knights of the Round Table for the Holy Grail, and ultimately his death.