Doom: Annihilation follows a group of space marines as they respond to a distress call from a base on a Martian moon, only to discover it’s been overrun by demonic creatures who threaten to create Hell on Earth.
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Three assassins deal with life, love, addiction and trust as each tries to find the answers to a better life. Together, they prove to be the most trustworthy in this tangled web of murder, greed, friendship and betrayal.
It’s a warm and dry summer. Dan, Tom and Victor, three inseparable adolescents, take advantage of the last day of school to wander in the countryside. They jump with joy when they discover an abandoned old film studio, whose many corridors and halls are just begging to be explored. What they don’t know is that their new playing ground serves as a refuge for Isaac and Klarence Shooter, a man and his strange son who are determined to stop the trio from setting their eyes on their dark secrets. Night falls. Our friends are home again. But they soon realize that something has followed them. This night will be the longest of their young lives. And it very doubtful they’ll ever see the light of day again.
Jenny, an ambitious, feisty but very successful advertising executive has her drink spiked at a fancy dress party, leading to a brutal sexual assault in the pub toilets by a mysterious figure dressed as a clown. Slowly she rebuilds her life, and as she regains confidence in herself, she returns to work after a six month absence.
On the surface, Hunter (Haley Bennett) appears to have it all. A newly pregnant housewife, she seems content to spend her time tending to an immaculate home and doting on her Ken-doll husband, Richie (Austin Stowell). However, as the pressure to meet her controlling in-laws and husband’s rigid expectations mounts, cracks begin to appear in her carefully created facade. Hunter develops a dangerous habit, and a dark secret from her past seeps out in the form of a disorder called pica – a condition that has her compulsively swallowing inedible, and oftentimes life-threatening, objects. A provocative and squirm-inducing psychological thriller, SWALLOW follows one woman’s unraveling as she struggles to reclaim independence in the face of an oppressive system by whatever means possible.
Doobie Jones has two strikes against him. The ex-con is faced with the dilemma of a lifetime. After turning his community into a walking dead hoodpocalypse, Doobie has a tough decision to make. He can stand and fight Zombies to the death with his big sister Kenya and friend Tracy or he run like hell.
Father Eion O’Donnell is unambiguous about the need to use violence to force Britain out of Ireland. He influences a young impressionable boy, Antaine to fight in the 1916 Rising. Fifty years later Antaine arrives in Derry as an experienced gunman. This appearance throws Eoin back to the cause of his breakdown in 1916. Eoin’s influence on young Antaine echoes in Antaine’s dark influence on an Altar boy, Feidhlim.
This “Best Fiction Film Winner”* follows Valentine, a female assassin who is trapped in a room with one of her marks during the last few minutes of his life. The moment changes her own life as she vows to give up the business and seek redemption by finding the son of the man she has killed. But once in the small desert town of “Godfree”, which may or may not be stranger than the world she has just left, her old life returns to haunt her. Convinced she has joined forces with an elusive ex-assassin named “Cupid”, her former comrades hunt her down and soon discover that some things are not what they appear…. *Hollywood Documentary And Fiction Film Festival (2006)
A group of armed robbers fleeing the police head for the New Jersey Tunnel and run right into trucks transporting toxic waste. The spectacular explosion that follows results in both ends of the tunnel collapsing and the handful of people who survived the explosion are now in peril. Kit Latura is the only man with the skill and knowledge to lead the band of survivors out of the tunnel before the structure collapses.