Fledgling screenwriters retreat to a quiet country manor to work on their script, but a constellation of needy characters produces constant interruptions.

Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism, civil war and occupation. After surviving Japanese colonization, Korea became the first war zone of the Cold War. The legacy of war remains today in this divided country. Three forlorn teenagers, Chank-guk, Jihum and Eunok are figures in the landscape of this story, which highlights the global implications of a very Korean reality. None of them is able to escape the withering pull of tragedy. All desperate pleas for love and redemption are returned stamped in red with “Address Unknown”.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

Six would-be thieves enter a prestigious dance competition as a cover for their larger goal of pulling off a major heist

Approaching collapse, the nation’s economy is quickly eroding. As crime and fear take over the countryside, the government continues to exert its brutal force against the nation’s most productive who are mysteriously vanishing – leaving behind a wake of despair. One man has the answer. One woman stands in his way. Some will stop at nothing to control him. Others will stop at nothing to save him. He swore by his life. They swore to find him.

A home invasion irrevocably changes the lives of all involved in ways neither victims nor perpetrator could have imagined

A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.

Modern day adaptation of Shakespeare’s immortal story about Hamlet’s plight to avenge his father’s murder in New York City.

Barry is a down-and-out-guy who takes a job at the shipping department of Technoworks, a high-tech Yuppie company. He gets invited to the house of his boss Quinn, for a weekend afternoon barbecue with some of his boss’s friends. The party gets weird, Barry plays a demented version of charades while standing on the picnic table, and the next door neighbor starts screaming racial slurs over the fence. When Jude, the widow of the ex-owner of Technoworks arrives, the plot thickens. Clues to past crimes are revealed, and the real reason for the party is discovered. But not before Barry beats the hell out of a tow-truck driver, screws the boss’s wife and wreaks havok with the neighbor. And as the title suggests, before the day is over, we will discover who is the Felon, or perhaps the people at party are all, one way or another, Felons.

Michael Mason is an American pickpocket living in Paris who finds himself hunted by the CIA when he steals a bag that contains more than just a wallet. Sean Briar, the field agent on the case, soon realises that Michael is just a pawn in a much bigger game and is also his best asset to uncover a large-scale conspiracy.

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A young woman named Jennifer is propositioned by an older woman to have sex with her husband for money. Jennifer has trouble with this decision as it is morally wrong to her but she really needs the money to help her fiancee out of debt so they can get married. There may be more to the situation than meets the eye.