Based on André Carl van der Merwe’s book, Moffie (a derogatory Afrikaans term for a gay man) follows the story of Nicholas van der Swart: from a very young age, he realises he is different. Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Set during the South African border war against communism, this is a long overdue story about the emotional and physical suffering endured by countless young men.

Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group’s ideology. But Marisa’s convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group?

It’s 1957, and James Whale’s heyday as the director of “Frankenstein,” “Bride of Frankenstein” and “The Invisible Man” is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.

The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.

Thorne Sleepyhead: follows DI Tom Thornes investigation into a mysterious serial killer. His first three victims ended up dead. His fourth was not so fortunate. Alison Willetts is unlucky to be alive. She has survived a stroke, deliberately induced by manipulation of pressure points on the head and neck. She can see, hear and feel, she is aware of everything going on around her, but she is unable to move or communicate. In leaving Alison alive, the police believe the killer’s made his first mistake.

An intimate portrayal of the relationship between one of greatest artists of the 20th century, L.S. Lowry and his unhappy and controlling mother, Elizabeth, whom he lived with all his life.

Deep in the woods of Maine, a broken promise made after the September 11th attacks forces two friends to confront the teenagers they were and the men they’ve become.

Stranded in the aftermath of a deadly outbreak, a brother fights to protect his sister while he desperately searches to find refuge and avoid an infected population with a thirst for blood.

A woman celebrates her 40th birthday by having her three best friends come and stay with her and her husband for a long weekend. This woman has been in a wheelchair for the past two years, and it has led her to isolate herself inside of her home. Her husband stands by her as he lives with the guilt of causing the car accident which put her in the wheelchair. Over the course of the three day celebration, it is revealed that everyone is struggling with their own lives and identities. When one best friend makes a terrible mistake and betrays the woman on her birthday, everyone is immediately and uncomfortably forced into looking at their own lives and their own limitations.

It’s summer and France is hit by a polar cold. Ten lone and lost souls find each other, a profound meeting as a last chance to hope and fear, to love and dream. Ten tales as tribute to Monet’s Water Lilies, ten tales portraying an impressionist painting of today’s France.

El Tenso does not know how to face his ill-tempered wife, Tana, to tell her that he wants to separate. Carlos, a friend of Tenso, suggests him to invert the situation and cause Tana to leave him by hiring Cuervo Flores, an irresistible seducer, to try and charm his wife until she falls in love with him.

What would it be like if your last name was Hitler? Director Matt Ogens seeks that answer by intimately portraying a diverse group of individuals with that same unfortunate name.