When an unknown toxic gas strikes Seoul in an unprecedented act of terror, Yong-nam has just met Eui-ju from college by chance at his mother’s birthday banquet. The city falls under sudden noxious gas attack and together, they must escape the panic-stricken city.
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A Japanese bullet train is threatened with a bomb that will explode automatically if the train slows below 80 km/h, unless a ransom is paid. Police race to find the bombers so the train crew can learn how to defuse the bomb.
On the day of their Father’s 70th birthday party, four siblings come to terms with the publication of a novel written by the youngest sibling, that exposes the family’s most intimate secrets.
Nearing the end of WW2, Nazis realize that they will lose. A handful of them board a plane bound for Argentina, where they plan to live in hiding. During the flight lightning hits the plane and the SS parachute onto an island populated by savages. Atrocities await. Notorious director Bill Zebub has often ridiculed fascism, but he never actually targeted Nazis. This is the first movie in which he outright makes fun of them. He never thought that it was necessary to point out the obvious, but this particular story is fertile ground for new parody.
Five young mutants, just discovering their abilities while held in a secret facility against their will, fight to escape their past sins and save themselves.
India’s first underwater war film tries to decode the mystery behind the sinking of Pakistani submarine PNS Ghazi during the Indo-Pak war of 1971.
A hustler who gets in trouble with a gang boss in the port town of Sukago agrees to make good with the don by putting him in contact with a mysterious hitman — an assassin the hustler has no idea how to contact. Instead, he hires an actor to play the role, though the thespian has no idea what he’s getting into.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
With all of his friends headed to a party on the last night of 1999, Austin takes an extra shift at the Quality Mart gas station and is forced to look down the barrel of what it means to graduate high school and face a future stuck in his middle of nowhere hometown. He’s got one night to make his dreams come true, legal or not, and he’s taking it.
Every town on Discworld knows the stories about rats and pipers, and streetwise tomcat Maurice leads a band of educated rodent friends (and a stupid kid) on a nice little earner. Piper plus rats equals lots and lots of money. Until they run across someones playing a different tune. Now Maurice and his rats must learn a new concept: evil…
Fifteen years after their father was gunned down in cold blood, Cashius and Winston Hurley return to their hometown to avenge his death. Joining forces with their cousin Bugsy, the two gun-slinging brothers hunt down everyone involved in their father’s murder. As the bullets fly and the death toll rises, the three young cowboys find themselves fugitives from the law, running for their lives and fighting for their revenge.
A fortune hunter leads a search for diamonds guarded by undead sailors off the coast of Africa.
