Former special ops soldier, Laura Bishop, shows up for work at the largest church in America and is forced to take down a team of hijackers when she learns her daughter is trapped inside.

An emotionally unavailable flight attendant meets a potential love interest and later finds out that her “perfect guy” has ulterior motives. As the clock ticks down on New Year’s Eve, she must fight to keep her murdered ex-boyfriend’s secrets or find herself dead.

Most horror stories take place in suburban areas, but these three teenagers are about to realize that those are not the only places where these things happen.

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

An elite hitman returns to erase his past only to find that somebody has messed with his future.

A moral discussion between sexes arises when an aspiring photographer secretly takes pictures of his barely dressed neighbour in the search for his artistic expression.

Utah and his girlfriend Opal, are drug addicts living on the streets in rural Ohio. After getting recruited by body broker Wood, and offered treatment in Los Angeles, Wood takes Utah under his wing and introduces him to treatment center mogul Vin. Wood and Vin bring Utah in on their lucrative and illegal dealings, where saving lives comes second to the bottom line.

It’s the final chapter in the cult classic Class of Nuke’Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai’s twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, “The Good, the Bad and the Subhumanoid” face off in an explosive sci-fi battle of epic proportions!

The Nereus is a fifty-year-old Ice Breaker, salvaged by an idealistic crew on a mission to catch illegal fisherman. On chase, the crew find themselves well off-course and bearing down on a body mysteriously floating in the middle of the Devil’s Sea. Superstitious or not, the team soon discovers they’ve rescued a deadly creature feeding on the lifeless body. Their new mission—kill or be killed and preferably before they hit land.

When the power mysteriously fails, and almost everyone vanishes from a small tourist vessel in the Arctic, fear becomes the master for the three who remain. Forced ashore, the men deteriorate in body and mind until a dark truth emerges that compels them to ally or perish.

In a dilapidated cyberpunk city plagued by crime and corruption, an unscrupulous District Attorney is savagely murdered and tossed out of a building onto his brand new car. Mysteriously, the District Attorney and his car come back to life as a single being with a thirst for vengeance. The eerie driver-less car embarks on a vicious rampage exacting revenge on the criminals who murdered him. The Car: Road to Revenge is the stylized sequel to the unconventional horror cult classic The Car (1977), and features an homage to the original with the return of Ronny Cox as the Mechanic.

Tillie Gardner, a girl who’s been rocked to her core by the tragic death of her parents in a plane crash a few weeks ago. She copes with the help of local cab driver Niko, with whom she began a summer romance on the island of Nantucket. But what she doesn’t know is that Marco, the man who sabotaged her parents’ plane, is on his way to Nantucket to set another terrifying scheme into motion. Can she uncover his dark secret and gather her wits to stop him in time? From the director of Romeo Must Die, Exit Wounds and Doom comes an intense and tightly wound thriller with twists that will keep you in suspense until the final frame.