When Maria unknowingly falls for the man that killed the love of her life, all hell breaks loose.
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A psychiatrist faces his past, present and future when he finds himself involved in the treatment of a young man recently released from prison for a murder committed when the boy was just 11 years old.
After Charles Forsyth was sent to the electric chair for a crime he didn’t commit, he forever haunts the prison where he was executed. Flash forward several years when the prison is reopened, under the control of its new warden Eaton Sharpe, a former security guard who framed Charlie. When prisoners are ordered to break down the wall to the execution room, they unknowingly release the angry spirit of Charles Forsyth, a powerful being distributing his murderous rage to all, leading up to the Warden himself.
The trial story of Viviane Amsalem’s five year fight to obtain her divorce in front of the only legal authority competent for divorce cases in Israel, the Rabbinical Court.
In 1973, 15-year-old William Miller’s unabashed love of music and aspiration to become a rock journalist lands him an assignment from Rolling Stone magazine to interview and tour with the up-and-coming band Stillwater – fronted by lead guitar Russell Hammond and lead singer Jeff Bebe William.
Set in 1945, in Pre-Independent India, the elite, opulent and solemn world of the Chaudhry family, and the wild, mysterious and musical underbelly of the town, Hira Mandi, clash when Roop Chaudhry encounters Zafar, a daredevil from Hira Mandi, unleashing deep-buried truths, secrets of betrayal and affairs that threaten to bring both worlds crashing down.
Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year ‘Grease’ hit the big screen.
Drama – Hated and betrayed by his brothers, Brady Gray is forced off of the family ranch and must start a new life in Dallas. With a good job and a promising romance, better days seem to lie ahead until Brady is framed for a crime he didn’t commit. – Andrew Cheney, Megan Parker, Akron Watson
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.