Two bounty hunters are in pursuit of “El Indio,” one of the most wanted fugitives in the western territories, and his gang.
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The Last Victim is a Neo Western thriller set in the American southwest, following Sheriff Hickey trying to solve the worst case he has seen in his small town, likely caused by a violent local gang led by a fearsome criminal.
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and company are bringing horses to the unpopular Mexican government for $35 a head while Langdon is leading a contingent of displaced southerners, who are looking for a new life in Mexico after losing their property to carpetbaggers. The two men are eventually forced to mend their differences in order to fight off both bandits and revolutionaries, as they try to lead their friends and kin to safety.
In effect, modern cow town Spurline is run by Virgil Renchler, owner of the Golden Empire Ranch. One night, two of Virgil’s henchmen go a little too far and beat a “bracero” ranch hand to death. Faced with an obvious cover-up and opposition on every hand, sheriff Ben Sadler is goaded into investigating. His unlikely ally: Renchler’s lovely, self-willed and overprotected daughter. Will Ben survive Renchler’s wrath?
Daniel King, a retired militiaman, rides into a deserted Texas town to track down his latest bounty, a powerful war criminal named John Dooling.
Man tries to recover a horse stolen from him by a Mexican bandit. The Appaloosa (also known as Southwest to Sonora) is a 1966 American Western film Technicolor (set in the 1870s) from Universal Pictures starring Marlon Brando, Anjanette Comer and John Saxon, who was nominated for a Golden Globe for Best Supporting Actor for his portrayal of a Mexican bandit. The film was directed by Sidney J. Furie, shot in Mexico. The 2008 Appaloosa film (starring Ed Harris and Viggo Mortensen) is not related nor a remake of this film, although it has almost the same title.
Set in the late 19th century. When a ruthless robber baron takes away everything they cherish, a rough-and-tumble, idealistic peasant and a sophisticated heiress embark on a quest for justice, vengeance…and a few good heists.
Just as Fritz Lang’s Metropolis (1927) is testimony to German silent film art, The Story of the Kelly Gang (1906) symbolises both the birth of the Australian film industry and the emergence of an Australian identity. Even more significantly it heralds the emergence of the feature film format. The Story of the Kelly Gang, directed by Charles Tait in 1906, is the first full-length narrative feature film produced anywhere in the world. Only fragments of the original production of more than one hour are known to exist and are preserved at the National Film and Sound Archive, Canberra. (unesco.org)
The feature length version of the serial by the same name. A mystical medicine arrow, the key to a lost gold treasure, is lost in one of many Indian attacks. It is recovered by the only two survivors, a Major and his daughter, who become the targets of those who wish to possess it. General George Armstrong Custer and army scout Kid Cardigan attempt to stop the ensuing war over the arrow, but fail in their efforts, which becomes the historic Custer’s Last Stand.
In the early 1800’s, a group of fur trappers and Indian traders are returning with their goods to civilization and are making a desperate attempt to beat the oncoming winter. When guide Zachary Bass is injured in a bear attack, they decide he’s a goner and leave him behind to die. When he recovers instead, he swears revenge on them and tracks them and their paranoiac expedition leader down.
Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim’s son raised his consciousness about his savagery. Years go by, that kid’s look doesn’t leave him. Aballay knows that the kid will look for him.