College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”

Neighborhood boy Todd Bowden discovers that an old man living on his block named Arthur Denker is nazi war criminal. Bowden confronts Denker and offers him a deal: Bowden will not go to the authorities if Denker tells him stories of the concentration camps in WWII…

As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.

Jenny and Brian’s wedding plans are interrupted when Meg arrives, claiming she’s also an heir to their inn. Now they must focus on raising the money to buy Meg out, and Brian considers returning to Wall Street, until Bucks County has a fundraiser. Still, they’re short on the funds they need, and an interested buyer shows up who intends to rebuild the aging structure rather than tenderly repair it like Jenny and Brian always have. For now, though, focusing on marrying is all that matters to these loving innkeepers, who hope their happy-ever-after can be spent creating more romance in Emily’s Inn.

This holiday, the Liddles have much to be merry about! Jacquie Liddle and her husband, Tyler, are preparing for the arrival of their first baby. With their family expanding in ways they could never have expected, the Liddles are headed for a crazy Christmas filled with merry mayhem and lots of love and laughter.

In a world ravaged by a rabies virus that turns people into hungry cannibals, Alice a pregnant survivor, along with two other men, struggles to reach an island unaffected by the plague. Meanwhile a dangerous man is on the trail of a mysterious girl, and Alice soon discovers that zombies are not the only threat.

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.

Marlborough’s beloved grapevines star in this comedy feature, which was shot at a winery in just 11 days. Twenty-something Harry (Hayden J Weal from Chronesthesia) is dumped by his fiancée, just days before their wedding at a vineyard. Two of Harry’s friends ensure the wine doesn’t go to waste as they try to cheer him up. Written and directed by Casey Zilbert, the film was inspired by classic Ernest Hemingway novel Fiesta (aka The Sun Also Rises) about drunken expats in Europe. Hang Time is Zilbert’s first movie; at university, her studies included Fiesta and wine science.

In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.

The Lapland tundra. Rupi is a young miner who fills his days by traficking in illegal pills, drinking, and dropping coins in a slot machine. After his friend is murdered, Rupi realises that he loves his friend’s widow. But the mine owner wants her too. The violence becomes a spectacle, the tragedy comic, the tundra cold, the people degenerate and hope ephemeral, like a star shooting through the sky. But even in this world, hope briefly rears its head.

A look at the mysterious relationship between Victorian art critic John Ruskin and his teenage bride Effie Gray.

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