Heaven’s daughter Annie finds herself orphaned and crippled. Whisked off to Farthinggale Manor by Tony Tatterton, Annie pines for her lost family, especially for her half-brother Luke. Without the warm glow of Luke’s love, she is lost in the shadows of despair and forced into submission by nurse Broadfield. When Annie discovers a cottage hidden in Farthinggale’s woods, the mystery of her past deepens. Even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell.
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A young witch visits her cousin in a small town during a heated mayoral election race. Her kind-hearted cousin, the town’s beloved “good witch” and newlywed with two teenage step-kids, is running for office, but must keep her family from falling apart when their visitor uses her magic to put them—and the whole town—under her bitter spell.
On the verge of despair at his overly controlled life, a repressed teenage geek attends a student conference where he picks up the thoughts of a rebellious, adolescent schizophrenic and realises that he is telepathic; but when he is kidnapped by a scientist engaged in unethical experiments, he must grow up, take the lead and enlist the help of this unlikely friend before he and other young telepaths are killed.
This movie talks about the genius high school student Jang-ho who dreams of becoming the next Pavaroti although he is part of a gang and Sang-jin, currently a countryside art school music teacher but once a highlighted vocal singer.
Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
Grey is an office worker with a bit of a shopping addiction. One day, just after being fired, she comes across a gorgeous pair of shoes that she couldn‘t possibly afford. Before she fully understood what she was doing, she‘s stolen the shoes, and in a desperate bid to escape, she climbs into a truck. As fate would have it, the truck is also a stolen good, and the person who stole it is none other than the person currently driving it, small-time crook Shrek.
Hell and Mr. Fudge is an 2012 American drama film directed by Jeff Wood and written by Brian Phillip Stoddard. Based on a true story, the film stars Mackenzie Astin as Edward Fudge, an Alabama preacher who has been hired to determine the existence of hell.
Two sisters on Mexican vacation are trapped in a shark observation cage at the bottom of the ocean, with oxygen running low and great whites circling nearby, they have less than an hour of air left to figure out how to get to the surface.
When high-flying tech entrepreneur Carson Griffin believes himself guilty of killing a pedestrian while driving drunk, guilt and paranoia begin to unravel his life ahead of the launch of his new company as he plays a dangerous game of cat and mouse with June, the girlfriend of the deceased who is hell-bent on proving he is responsible.
The story about the friendship between two women, family problems and difficult childhood.
When Babo and his brother-in-law Memo, who is also part of Cenk’s clique, go in search of the alleged culprit Serkan, no one is aware yet of the effects this little dizziness would bring. Serkan is threatened, kidnapped, beaten and no longer moves. Memo panics, feels guilty and laments the dreams he has had for a long time and that he did not want all that. He confesses that he has consumed all the cocaine alone with Cenk and his friends, exposing lies to his brother-in-law. At the end of the film, Babo realizes that he may have killed an innocent man.