White-collar worker Yamashita finds out that his wife has a lover visiting her when he’s away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he “befriended” in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn’t let her become close to him.

Switzerland, 1955. The young orphan Max is sent as a foster child and contracted to work for the Bösiger family who lives on a farm. His foster parents treat him like a workhorse while their son seizes every opportunity to humiliate him. Playing the accordion is the one thing that is entirely his. But when the new teacher stands up for Max, it only makes a bad situation much worse. The only thing preserving his will to survive is his friendship with Berteli, who was also taken on to work at the farm. Max dreams of Argentina with her: a fantasy world, where allegedly even hayforks are made of silver.

Successful movie director John L. Sullivan, convinced he won’t be able to film his ambitious masterpiece until he has suffered, dons a hobo disguise and sets off on a journey, aiming to “know trouble” first-hand. When all he finds is a train ride back to Hollywood and a beautiful blonde companion, he redoubles his efforts, managing to land himself in more trouble than he bargained for when he loses his memory and ends up a prisoner on a chain gang.

The Biddle brothers, shot while robbing a gas station, are taken to the prison ward of the County Hospital; Ray Biddle, a rabid racist, wants no treatment from black resident Dr. Luther Brooks. When brother John dies while Luther tries to save him, Ray is certain it’s murder and becomes obsessed with vengeance. But there are black racists around too, and the situation slides rapidly toward violence.

The film “Amen.” examines the links between the Vatican and Nazi Germany. The central character is Kurt Gerstein, a member of the Institute for Hygiene of the Waffen-SS who is horrified by what he sees in the death camps. Moreover, he is shocked to learn that the process he used to purify water for his troops, by using zyklon, served as a basis to kill people in gas chambers.

A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

Introducing his never before seen ‘leaping one-hander’ to the masses on a national level, Kenny Sailors quickly grew to be a fan favorite while leading his Wyoming Cowboys to the Collegiate National Championship in Madison Square Garden in 1943. But after playing on several losing teams in an unstable, emerging league now known as the NBA, Kenny disappeared into the Alaskan wilderness only to be forgotten by the sport he helped pioneer. Now, nearly sixty years later, the multitude of people he has touched along the way have forced Kenny’s humble reemergence.

A look at the life of legendary American pilot Amelia Earhart, who disappeared while flying over the Pacific Ocean in 1937 in an attempt to make a flight around the world.

An abusive wife, a hot girlfriend and a court case, Govinda Waghmare is just not able to catch a break. The icing on top of that horrible cake – a murder.

“It is a rare and miraculous thing to find your one true soul mate.” Carey soon learns that finding two of them can pose an even greater problem.

The Seasoning House – where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.

Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys’ home known as The Island. Juhani (Niilo Syvaoja) has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula (Tommi Korpela) can truly be.