Jim “Lucky” Moore, an insurance salesman, comes up with a novel policy for his friend, Steve: a ‘love insurance policy’, that will pay out $1-million if Steve does not marry his fiancée, Cynthia. The upcoming marriage is jeopardized by Steve’s ex-girlfriend, Mickey, and Cynthia’s disapproving Aunt Kitty. The policy is underwritten by a nightclub owner, Roscoe, who sends two enforcers – Abbott and Costello – to ensure that the wedding occurs as planned.

The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter’s evil guardian is determined to have the gold mine for himself and his saloon-singer wife.

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A young singer/songwriter, despite being married, becomes involved with her new guitarist, who she soon discovers has a dark past and may be a danger to her and those close to her.

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Director Martin Scorsese profiles former Beatle George Harrison in this reverent portrait that mixes interviews and archival footage, featuring commentary from the likes of Paul McCartney, Eric Clapton, Ringo Starr and Yoko Ono.

Broken Poet is a compelling investigation into the meaning of success, rock stardom and even freedom itself which, as Janis Joplin sang, is just another word for nothing left to lose.

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In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.

An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he’s asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.

After an accidental drug overdose, a talented teenage DJ goes to live with his estranged father in a small Army town, where he gets to the bottom of his own pain and learns empathy for others.