The Old Dark House style mystery thriller gets an affectionately murky makeover in director Jack McHenry’s Agatha Christie-meets-Lucio Fulci feature debut. In stunning Black & White, with cut-glass British accents and a dodgy American in the cocktail party mix, a sophisticated 1930s soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.
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Plagued by nightmares and obsessive sleepwalking, Darcy Baker can’t purge her mind of the animalistic abuse she suffered as a child at the hands of her mother. When Darcy’s therapist Ryan is informed that her family homestead, the very source of her nightmares, has been abandoned, he is eager to get her back there and pull the suppressed memories to the surface in order to start her journey of healing. While Darcy has no interest in walking through the door to that hell, she does have a deep desire to win the love of Ryan and succumbs to his wishes to return to her childhood home. Upon arriving at the decrepit house, she and Ryan discover that the fear mother ignites in Darcy still lives. Even more unsettling, they uncover the existence of ten-year-old Sam, a feral mute, who keeps his secrets dangerously close to his heart. Ryan admirably risks it all to heal both Sam and Darcy, but is their blood bond thicker than the healing waters he has to offer?
Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will’s hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.
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