A family takes refuge in a fallout shelter to avoid a dangerous outbreak.
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A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
Patty McCormack’s “Mommy” is psychotically obsessed with her 12-year-old daughter Jessica Ann — so much so that when she finds out Jessica didn’t get the “Student of the Year” award again, she solves the problem by murdering the teacher who didn’t recommend her for it. She dismisses the killing as inconsequential (“a minor accident”), but the homicide detective assigned to the case suspects her immediately, and an insurance investigator who also suspects her tries to get close to Jessica Ann to find out what really happened.
A collection of short stories. In one a woman who leaves her house late at night to drive to the store while a killer is loose encounters some problems. In the second an arcade whiz kid’s obsession with a game leads to deadly consequences. In the third a small town priest loses his faith and decides to leave town, but in the desert is stalked by a mysterious black pick-up truck. In the final story, a family’s problem with a rat is larger than they think.
Elvis Martini is in deep shit. His dilapidated Detroit apartment building is about to be foreclosed on by the bank; most of his tenants are behind on rent; he’s in big debt to bookies and his daughter’s school. He finds some ill-gotten cash in an evicted tenant’s apartment and it briefly keeps the wolves at bay, but it brings out a bigger wolf, one that wants his stolen money back. When his daughter is kidnapped by the mysterious menace he’s accidentally messed with, Elvis has 24 hours to come up with $25K – cash only.
A quirky anthology, consisting of four separate short films connected by host segments. The first one, BOOGIE WITH THE UNDEAD, has an all girl rock band booked to play a gig in a town overrun by flesh-eating zombies. In the second one, THE DEVIL’S DUE AT MIDNIGHT, a coven of beautiful witches conjure up Brad Dourif as The Devil, and endures the inept attacks of witch killer Ken Foree. In the first long segment, HER MORBID DESIRES, an actress gets the lead role in a vampire movie, only to discover that starlets are being murdered on the set. The other long segment, CRY OF THE MUMMY, has the reincarnated mummy, formerly the last Pharaoh of the 4th Dynasty, looking to sue the movie studios because he can’t get work as a mummy. His new lawyer offers to represent him as an agent, but the mummy will only work in film if he can direct.
Luke Anthony comes to a village in search of his wife Sophia, who got lost in a nearby forest while traveling through the countryside. But, as the search operation progresses, doubts crop up on whether the woman has actually gone missing or even whether she is a figment of his imagination.
A newlywed couple are passing through a vacation resort. Their paths cross with a mysterious, strikingly beautiful countess and her aide.
An unmitigated and sexy conman targets his next mark, the widowed Monique, for his latest swindle. But his routine scam hits a snag when suspicion mounts and his scheme quickly escalate into desperation, betrayal and murder.