After a troubled childhood, Ashley searches for a connection, and unknowingly invites in a demonic force, which leaves her loved ones fighting for her soul.

Cathy Coulter is looking forward to a bright future with new husband Riley and her son Billy. Settled in their new home, Cathy becomes disheartened with Riley’s frequent work trips and her intuition tells her something is amiss. When Riley leaves for his next job, Cathy follows him…all the way to another family’s home! When Cathy storms in to confront him, she finds a dead body and receives a call from Riley saying she must confess to the crime or her son will be killed. With the police hot on her tail, Cathy goes on the run to unearth the truth before it is too late to save her son.

A kidnapping goes sour when the perpetrators cross paths with the unforeseen.

With Gandhi My Father, producer Anil Kapoor and director Feroz Abbas Khan have shed light onto Gandhi the person, rather than Gandhi the icon. Using Gandhi’s political career as a canvas, the film paints a picture of his intricate, complex, and strained relationship with his son Harilal Gandhi.

In June 1950, soon after the start of the Korean War, a troop of North Korean soldiers enter a small South Korean village. Captain Jeong-woong proclaims that they came to liberate the villagers but their true agenda is to ferret out the reactionaries. The villagers and Seol-hee, who is separated from her fiance on her wedding day, offer them heartfelt hospitality and cooperation to avoid falling out of the army’s favor. Eventually friendships starts to build up between the soldiers and the villagers.

When a couple on the brink of divorce get stuck in an elevator together on Christmas Eve, both think it will be a nightmare. But surprisingly, the Christmas music brings back memories, the gifts they have just shopped for spark a flame, and a misunderstanding from a Christmas past is resolved. As the elevator crew works overtime to rescue them, they realize where they went wrong and rekindle a love that had never really died.

Semi-documentary, focusing on the training young boys receive before they are sent down the mines on their first job.

Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.

A powerful and seductive Hollywood mogul convinces an impoverished West Hollywood writer, whose lover has recently died of AIDS, to sell his autobiographical screenplay for big bucks. The writer, Robert, knows he’ll have to make major changes in the script (like changing the sex of the dying lover). During the rewrite, the producer, Jeffrey, takes Robert under his wing, introducing him to his wife Elaine, herself a closet screenwriter. Jeffrey approaches Robert for sex and Elaine approaches Robert out of curiosity about his sex life in grief. The entangled triangle of relationships threatens more than the completion of a film script. Written by

The story is about a family of three brothers and a sister in the suburbs of the city’s poverty. Their elder brother owns a drug-producing kitchen and presides over the group, like a shepherd for sheep.

The movie takes place in the three days leading up to Lennon’s murder and is intended to be an exploration of Chapman’s psyche, without putting substantial emphasis on the murder. The title “Chapter 27” suggests a continuation of J.D. Salinger’s novel The Catcher in the Rye, which has 26 chapters, and which Chapman was carrying when he shot Lennon. Chapman was obsessed with the book, to the point

Marisa, a 20-year-old German girl, hates foreigners, Jews, cops, and everyone she finds guilty for the decline of her country. She provokes, drinks, fights and her next tattoo will be a portrait of Adolf Hitler. The only place she feels home is the Neo-Nazi gang she belongs to, where hate, violence, and heavy parties are the daily rules. When 14-year-old Svenja joins the group, Marisa appears like a role model to her: she fits the purest idea of a combat girl fighting for the group’s ideology. But Marisa’s convictions will slowly evolve when she accidentally meets a young Afghan refugee. Confronted to him, she will learn that the black and white principles of her gang are not the only way. Will Marisa ever be able to get out of this group?