A fantastical re-imagining of the events of 1979, when Monty Python made Life of Brian and the debate about what is an acceptable subject for comedy was blown wide open.
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David and Brenda are perfect for each other, and everyone knows it except David and Brenda. After a break-up, they each experience their own rough patch. For David, a self-destructive artistic endeavor and a relationship with an immature beauty—for Brenda, a failing acting career, an eviction notice, and a boyfriend who just doesn’t do it for her. A chance encounter brings them together on the streets of New York at a particularly bad time. David invites Brenda to the opening of his first photography exhibit and the stage is set for a night of drinking and flirting which leads to an untraditional proposal of how they can be together without getting back together. A sharply observed, un-romantic comedy by writer/director Mel Rodriguez III, IN STEREO is a stylish and striking first feature that offers an unflinching look at the complexity of modern relationships.
Set ahead of the 2012 London Olympics, the film follows Liam (Sam Claflin), an ex-con trying to win back the love and trust of his family. He has lost everything at the hands of a local crime syndicate run by Clifford Cullen (Spall), who has high-level connections in politics, finance and the police force. Liam’s drive for redemption sees him caught up in a web of conspiracy, crime, and corruption.
Eddie Garrick is a good-hearted man who has lost his belief in the wonder of Christmas. While spending time with his nine-year-old daughter Charlotte on Christmas Eve, he befriends a mysterious man in a red suit named Nick.
The film centers on a Spanish tapas bar and the love lives of the loosely interconnected people in the neighborhood surrounding the bar. The pairs of lovers include a middle aged woman and a young man; an elderly, drug dealing woman and her terminally ill husband in poor health; the tapas bar owner and his estranged wife; and two Chinese immigrants.
A scholar in search of true love. Disguising himself as a houseboy, he indentures himself to a rich family in order to pursue the ravishing servant girl who has stolen his heart.
When a recently retired military officer Colonel is tapped by his old friend to take over the military division to help save declining Stone Creek Academy, he immediately clashes with academics dean, a civilian woman whose “touchy-feely” methods are at complete odds with his.
A large family meet at the family estate for the reading of their father’s will. Each expects to be the recipient of a tidy sum, but apart from the local constable and a few other small awards to the help, the entire estate goes to the favorite daughter.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
In a series of life events, a group of young adults expressed their love, desires, and secrets in ways they didn’t imagine they could.
A satire about two struggling actresses who escape into a fantasy world to cope with rejection and hone their craft. Convinced their mysterious new neighbor is a talent agent, they take him hostage and demand acting careers as ransom.
Two friends and their sweet and endearing misadventures and one of these misadventures sees them land in the middle of a kidnapping investigation.
