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Having spent 10 years in prison for nationalist activities, Shack Twala is finally ordered released by the South African Supreme Court but he finds himself almost immediately on the run after a run-in with the police. Assisted by his lawyer Rina Van Niekirk and visiting British engineer Jim Keogh, he heads for Capetown where he hopes to recover a stash of diamonds, meant to finance revolutionary activities, that he had entrusted to a dentist before his incarceration. Along the way, they are followed by Major Horn of the South African State security bureau and it becomes apparent that he has no intention of arresting them until they reach their final destination

Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.

When a producer suggests that screenwriter Grace Mitchel pen a horror story set in an old hotel, the lond-abandoned Lyndora seems theperfect inspiration. The turn-of-the-century hotel is known for its rough and seedy past – the doors to its rooms sealed 50 years ago following a series of gruesome murders – and local lore says it’s haunted. Despite the reservations of family and friends, an undaunted Grace takes up residence in the eerie inn to immerse herself in writing … But now that the doors are open, the secrets of the past begin to emerge. As disturbing, but seemingly explicable, events begin to escalate, Grace struggles to define reality from insanity and begins a descent into darkness from which some will never return.

At work, she’s a renowned assassin. At home, she’s a single mom to a teenage daughter. Killing? That’s easy. It’s parenting that’s the hard part.

A psychologist discovers troubling links between Nazism and modern-day big business.

Siblings headed to a family wedding endure a night of increasingly frightening practical jokes while staying at a secluded motel.

Isabelle is a famous and beloved actress from the Netherlands, who disappears when on Holiday in Belgium. She has been kidnapped by bartender Jeanne Bitor, an artist with a disfigured face. Jeanne is very bitter about her ‘ugly’ appearance, and she is obsessed with the process of dying and deterioration of animals and humans. Therefore, she abducts Isabelle and starves her to death, while painting her in different phases of the process.

Two half-sisters who bitterly hate each other become trapped in a farmhouse during a storm, as a couple of murderous intruders terrorize them from outside as they look for their $1M inheritance check.

Six captive office workers are literally chained to their desks by a demented, escaped serial killer; former regional manager Thomas Reddmann (Redd). He assigns his ‘human resources’ the impossible task of proving his innocence or suffering gruesome consequences.

Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.